Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić

The paper discusses the artistic and conceptual strategies of the deconstruction of nationalism in the selected works of contemporary Serbian artist, Milica Tomić (b. 1960) by interpreting them from a hitherto overlooked perspective of Derridian deconstructivism. It demonstrates that the analyzed p...

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Main Author: Aleksandra Czarny
Format: Article
Language:English
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-02-01
Series:Quart
Subjects:
Online Access:https://wuwr.pl/quart/article/view/17771
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author Aleksandra Czarny
author_facet Aleksandra Czarny
author_sort Aleksandra Czarny
collection DOAJ
description The paper discusses the artistic and conceptual strategies of the deconstruction of nationalism in the selected works of contemporary Serbian artist, Milica Tomić (b. 1960) by interpreting them from a hitherto overlooked perspective of Derridian deconstructivism. It demonstrates that the analyzed performances and billboards made by Tomić offer a consistent and theoretically self-aware attempt at a critical dismantling of the nationalist narratives present in post-Yugoslav public discourse through their emphasis on the constitutive function of national languages and state militarism. It is due to this deconstructivist framework that the particular experiences on which Tomić bases her art gain universal significance for our understanding of all nationalisms.
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institution Kabale University
issn 1896-4133
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publishDate 2025-02-01
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spelling doaj-art-f1c5576e0d5e49fd859956715807695e2025-02-04T07:58:41ZengWydawnictwo Uniwersytetu WrocławskiegoQuart1896-41332449-92852025-02-014(74)436010.19195/2449-9285.74.519540Dekonstrukcja nacjonalizmu w wybranych pracach Milicy TomićAleksandra Czarnyhttps://orcid.org/0009-0004-3802-9578The paper discusses the artistic and conceptual strategies of the deconstruction of nationalism in the selected works of contemporary Serbian artist, Milica Tomić (b. 1960) by interpreting them from a hitherto overlooked perspective of Derridian deconstructivism. It demonstrates that the analyzed performances and billboards made by Tomić offer a consistent and theoretically self-aware attempt at a critical dismantling of the nationalist narratives present in post-Yugoslav public discourse through their emphasis on the constitutive function of national languages and state militarism. It is due to this deconstructivist framework that the particular experiences on which Tomić bases her art gain universal significance for our understanding of all nationalisms.https://wuwr.pl/quart/article/view/17771milica tomićperformanssztuki wizualnesztuka postjugosławiańskawojny bałkańskienacjonalizmjacques derridadekonstruktywizm
spellingShingle Aleksandra Czarny
Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
Quart
milica tomić
performans
sztuki wizualne
sztuka postjugosławiańska
wojny bałkańskie
nacjonalizm
jacques derrida
dekonstruktywizm
title Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
title_full Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
title_fullStr Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
title_full_unstemmed Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
title_short Dekonstrukcja nacjonalizmu w wybranych pracach Milicy Tomić
title_sort dekonstrukcja nacjonalizmu w wybranych pracach milicy tomic
topic milica tomić
performans
sztuki wizualne
sztuka postjugosławiańska
wojny bałkańskie
nacjonalizm
jacques derrida
dekonstruktywizm
url https://wuwr.pl/quart/article/view/17771
work_keys_str_mv AT aleksandraczarny dekonstrukcjanacjonalizmuwwybranychpracachmilicytomic