Révéler les traces du toxique

Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs f...

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Main Authors: Benjamin Lysaniuk, Anaïs Ondet, Léa Prost
Format: Article
Language:fra
Published: Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique 2020-10-01
Series:EchoGéo
Subjects:
Online Access:https://journals.openedition.org/echogeo/19792
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author Benjamin Lysaniuk
Anaïs Ondet
Léa Prost
author_facet Benjamin Lysaniuk
Anaïs Ondet
Léa Prost
author_sort Benjamin Lysaniuk
collection DOAJ
description Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs from this series offers the opportunity, in the context of a dialogue between social sciences and photography, to question the notions of (in)visibility, recognition, memory, trace and banality. The photographer's expression refers to a deep commitment to highlight victims that we do not hear and to focus on landscapes that we no longer notice.
format Article
id doaj-art-ef5ec17effba45cdab13f8f006f6007f
institution Kabale University
issn 1963-1197
language fra
publishDate 2020-10-01
publisher Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique
record_format Article
series EchoGéo
spelling doaj-art-ef5ec17effba45cdab13f8f006f6007f2025-01-30T12:43:42ZfraPôle de Recherche pour l'Organisation et la diffusion de l'Information GéographiqueEchoGéo1963-11972020-10-015310.4000/echogeo.19792Révéler les traces du toxiqueBenjamin LysaniukAnaïs OndetLéa ProstAnaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs from this series offers the opportunity, in the context of a dialogue between social sciences and photography, to question the notions of (in)visibility, recognition, memory, trace and banality. The photographer's expression refers to a deep commitment to highlight victims that we do not hear and to focus on landscapes that we no longer notice.https://journals.openedition.org/echogeo/19792landscapevisibilityportraitdiseaserecognition
spellingShingle Benjamin Lysaniuk
Anaïs Ondet
Léa Prost
Révéler les traces du toxique
EchoGéo
landscape
visibility
portrait
disease
recognition
title Révéler les traces du toxique
title_full Révéler les traces du toxique
title_fullStr Révéler les traces du toxique
title_full_unstemmed Révéler les traces du toxique
title_short Révéler les traces du toxique
title_sort reveler les traces du toxique
topic landscape
visibility
portrait
disease
recognition
url https://journals.openedition.org/echogeo/19792
work_keys_str_mv AT benjaminlysaniuk revelerlestracesdutoxique
AT anaisondet revelerlestracesdutoxique
AT leaprost revelerlestracesdutoxique