Révéler les traces du toxique
Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs f...
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Main Authors: | , , |
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Format: | Article |
Language: | fra |
Published: |
Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique
2020-10-01
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Series: | EchoGéo |
Subjects: | |
Online Access: | https://journals.openedition.org/echogeo/19792 |
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Summary: | Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs from this series offers the opportunity, in the context of a dialogue between social sciences and photography, to question the notions of (in)visibility, recognition, memory, trace and banality. The photographer's expression refers to a deep commitment to highlight victims that we do not hear and to focus on landscapes that we no longer notice. |
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ISSN: | 1963-1197 |