Révéler les traces du toxique

Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs f...

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Bibliographic Details
Main Authors: Benjamin Lysaniuk, Anaïs Ondet, Léa Prost
Format: Article
Language:fra
Published: Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique 2020-10-01
Series:EchoGéo
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Online Access:https://journals.openedition.org/echogeo/19792
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Summary:Anaïs Ondet's documentary series Les mauvaises herbes features portraits of women and men suffering from diseases related to the use of agro-pesticides and landscapes cliché of an ordinary countryside where the pathogenic aspect remains – at first sight – invisible. The use of two photographs from this series offers the opportunity, in the context of a dialogue between social sciences and photography, to question the notions of (in)visibility, recognition, memory, trace and banality. The photographer's expression refers to a deep commitment to highlight victims that we do not hear and to focus on landscapes that we no longer notice.
ISSN:1963-1197