‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda

The essay looks once more at the relationship between the two protagonists of George Eliot's final novel. It argues that rather than through issues of class, as scholars have conventionally argued, Gwendolen Harleth's interest in Daniel Deronda must be understood through the ethnic otherne...

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Main Author: Julia Kuehn
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2009-04-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/5837
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author Julia Kuehn
author_facet Julia Kuehn
author_sort Julia Kuehn
collection DOAJ
description The essay looks once more at the relationship between the two protagonists of George Eliot's final novel. It argues that rather than through issues of class, as scholars have conventionally argued, Gwendolen Harleth's interest in Daniel Deronda must be understood through the ethnic otherness he represents. He is, as the first chapter construes it so unmistakably, ‘different' from the men this young Englishwoman normally socialises with, and the enquiry into Deronda's origins and heritage is pursued alongside questions of his perceived ‘un-Englishness’. The essay introduces the paradigm of ‘the exotic erotic’—adapted from Judith Butler's Bodies that Matter—to explore Gwendolen Harleth's simultaneous racialising and sexualising of Daniel Deronda. A brief overview of recent postcolonial reassessments of the concept of ‘exoticism’, and of Butler's reinterpretation into the context of gender studies, precedes the close reading of the literary text.
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spelling doaj-art-ef4a4b6b27714c5cac04c93e15d55bb52025-01-30T10:22:11ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492009-04-016910.4000/cve.5837‘Exotic Eroticism’: Gwendolen Harleth and Daniel DerondaJulia KuehnThe essay looks once more at the relationship between the two protagonists of George Eliot's final novel. It argues that rather than through issues of class, as scholars have conventionally argued, Gwendolen Harleth's interest in Daniel Deronda must be understood through the ethnic otherness he represents. He is, as the first chapter construes it so unmistakably, ‘different' from the men this young Englishwoman normally socialises with, and the enquiry into Deronda's origins and heritage is pursued alongside questions of his perceived ‘un-Englishness’. The essay introduces the paradigm of ‘the exotic erotic’—adapted from Judith Butler's Bodies that Matter—to explore Gwendolen Harleth's simultaneous racialising and sexualising of Daniel Deronda. A brief overview of recent postcolonial reassessments of the concept of ‘exoticism’, and of Butler's reinterpretation into the context of gender studies, precedes the close reading of the literary text.https://journals.openedition.org/cve/5837
spellingShingle Julia Kuehn
‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
Cahiers Victoriens et Edouardiens
title ‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
title_full ‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
title_fullStr ‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
title_full_unstemmed ‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
title_short ‘Exotic Eroticism’: Gwendolen Harleth and Daniel Deronda
title_sort exotic eroticism gwendolen harleth and daniel deronda
url https://journals.openedition.org/cve/5837
work_keys_str_mv AT juliakuehn exoticeroticismgwendolenharlethanddanielderonda