Rhythm, contagion, "cosmic race”

In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of m...

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Main Author: Lorena Grigoletto
Format: Article
Language:English
Published: Universidad de Sevilla 2025-01-01
Series:Fedro
Subjects:
Online Access:https://revistascientificas.us.es/index.php/fedro/article/view/25262
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author Lorena Grigoletto
author_facet Lorena Grigoletto
author_sort Lorena Grigoletto
collection DOAJ
description In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of mimesis in a postcolonial context. The aesthetic notion of rhythm, as well as shifting the discourse on mimesis from the visual to the acoustic-emotional dimension, nevertheless presents the characteristics and risks of what Scheler calls “unipathy” or contagion and acquires a particularly important significance when considered as the theoretical premise of the famous Vasconcelian essay The Cosmic Race (1925). This article reconstructs the link between the notions of rhythm, contagion and “cosmic race” to reflect on the question of otherness, on the mimetic-rhythmic processes of the individual and socio-political body, and on the risk of the “desymbolisation” of thought that such a process perhaps conceals.
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spelling doaj-art-ef1399624ff4494ea635f6396b86f6c82025-02-03T10:35:22ZengUniversidad de SevillaFedro1697-80722025-01-012410.12795/Fedro/2024.i24.08Rhythm, contagion, "cosmic race”Lorena Grigoletto In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of mimesis in a postcolonial context. The aesthetic notion of rhythm, as well as shifting the discourse on mimesis from the visual to the acoustic-emotional dimension, nevertheless presents the characteristics and risks of what Scheler calls “unipathy” or contagion and acquires a particularly important significance when considered as the theoretical premise of the famous Vasconcelian essay The Cosmic Race (1925). This article reconstructs the link between the notions of rhythm, contagion and “cosmic race” to reflect on the question of otherness, on the mimetic-rhythmic processes of the individual and socio-political body, and on the risk of the “desymbolisation” of thought that such a process perhaps conceals. https://revistascientificas.us.es/index.php/fedro/article/view/25262rhythmcontagionmestizajeracemimesispost-colonial
spellingShingle Lorena Grigoletto
Rhythm, contagion, "cosmic race”
Fedro
rhythm
contagion
mestizaje
race
mimesis
post-colonial
title Rhythm, contagion, "cosmic race”
title_full Rhythm, contagion, "cosmic race”
title_fullStr Rhythm, contagion, "cosmic race”
title_full_unstemmed Rhythm, contagion, "cosmic race”
title_short Rhythm, contagion, "cosmic race”
title_sort rhythm contagion cosmic race
topic rhythm
contagion
mestizaje
race
mimesis
post-colonial
url https://revistascientificas.us.es/index.php/fedro/article/view/25262
work_keys_str_mv AT lorenagrigoletto rhythmcontagioncosmicrace