Rhythm, contagion, "cosmic race”
In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of m...
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Language: | English |
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Universidad de Sevilla
2025-01-01
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Online Access: | https://revistascientificas.us.es/index.php/fedro/article/view/25262 |
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author | Lorena Grigoletto |
author_facet | Lorena Grigoletto |
author_sort | Lorena Grigoletto |
collection | DOAJ |
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In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of mimesis in a postcolonial context. The aesthetic notion of rhythm, as well as shifting the discourse on mimesis from the visual to the acoustic-emotional dimension, nevertheless presents the characteristics and risks of what Scheler calls “unipathy” or contagion and acquires a particularly important significance when considered as the theoretical premise of the famous Vasconcelian essay The Cosmic Race (1925). This article reconstructs the link between the notions of rhythm, contagion and “cosmic race” to reflect on the question of otherness, on the mimetic-rhythmic processes of the individual and socio-political body, and on the risk of the “desymbolisation” of thought that such a process perhaps conceals.
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format | Article |
id | doaj-art-ef1399624ff4494ea635f6396b86f6c8 |
institution | Kabale University |
issn | 1697-8072 |
language | English |
publishDate | 2025-01-01 |
publisher | Universidad de Sevilla |
record_format | Article |
series | Fedro |
spelling | doaj-art-ef1399624ff4494ea635f6396b86f6c82025-02-03T10:35:22ZengUniversidad de SevillaFedro1697-80722025-01-012410.12795/Fedro/2024.i24.08Rhythm, contagion, "cosmic race”Lorena Grigoletto In his text Pitágoras. Una teoría del ritmo (1921), the Mexican philosopher José Vasconcelos carries out an interesting rereading of ancient Pythagoreanism to reorient the symbolic-abstract direction of Western thought, which seems to pave a new line of genealogical exploration of the question of mimesis in a postcolonial context. The aesthetic notion of rhythm, as well as shifting the discourse on mimesis from the visual to the acoustic-emotional dimension, nevertheless presents the characteristics and risks of what Scheler calls “unipathy” or contagion and acquires a particularly important significance when considered as the theoretical premise of the famous Vasconcelian essay The Cosmic Race (1925). This article reconstructs the link between the notions of rhythm, contagion and “cosmic race” to reflect on the question of otherness, on the mimetic-rhythmic processes of the individual and socio-political body, and on the risk of the “desymbolisation” of thought that such a process perhaps conceals. https://revistascientificas.us.es/index.php/fedro/article/view/25262rhythmcontagionmestizajeracemimesispost-colonial |
spellingShingle | Lorena Grigoletto Rhythm, contagion, "cosmic race” Fedro rhythm contagion mestizaje race mimesis post-colonial |
title | Rhythm, contagion, "cosmic race” |
title_full | Rhythm, contagion, "cosmic race” |
title_fullStr | Rhythm, contagion, "cosmic race” |
title_full_unstemmed | Rhythm, contagion, "cosmic race” |
title_short | Rhythm, contagion, "cosmic race” |
title_sort | rhythm contagion cosmic race |
topic | rhythm contagion mestizaje race mimesis post-colonial |
url | https://revistascientificas.us.es/index.php/fedro/article/view/25262 |
work_keys_str_mv | AT lorenagrigoletto rhythmcontagioncosmicrace |