Who’s there : voir Watteau avec Pierre Michon
How can we understand a work when a painter was entirely silent, without any written document, neither published nor private? Watteau’s case is tremendously significant from this point of view. Silent Watteau generated a ghost of his work. This article deals with the spectrum as a vision. Particular...
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| Format: | Article |
| Language: | fra |
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Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
2018-06-01
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| Series: | Les Dossiers du GRIHL |
| Subjects: | |
| Online Access: | https://journals.openedition.org/dossiersgrihl/7064 |
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| Summary: | How can we understand a work when a painter was entirely silent, without any written document, neither published nor private? Watteau’s case is tremendously significant from this point of view. Silent Watteau generated a ghost of his work. This article deals with the spectrum as a vision. Particularly through the short novel by Pierre Michon, Je veux me divertir, where Watteau becomes a character as well as Pierrot. Then, the lacks of knowledge of the past are the right places where ghost can find a way to come to haunt memory or memories, through fiction, but as welle through History. |
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| ISSN: | 1958-9247 |