Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management
Flamenco and tango are among the first associations which come to mind in connection with Seville and Buenos Aires. Ever since both art forms appeared in the 19th century, a form of dance tourism has been constantly evolving, giving rise to differentiated business models right up to the present day....
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2014-12-01
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Online Access: | https://journals.openedition.org/viatourism/700 |
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author | Tatjana Thimm |
author_facet | Tatjana Thimm |
author_sort | Tatjana Thimm |
collection | DOAJ |
description | Flamenco and tango are among the first associations which come to mind in connection with Seville and Buenos Aires. Ever since both art forms appeared in the 19th century, a form of dance tourism has been constantly evolving, giving rise to differentiated business models right up to the present day. Moreover, as intangible world cultural assets, flamenco and tango have acquired considerable importance for the destination image of both cities. The ‘governance of global value chains’ model of Gereffi et al. (2005) is here applied in adapted form to flamenco and tango dance tourism in order to derive dimensions of meaning in destination management. |
format | Article |
id | doaj-art-ee54d47c5d7749c9a5745cfb0ace4aa1 |
institution | Kabale University |
issn | 2259-924X |
language | deu |
publishDate | 2014-12-01 |
publisher | Association Via@ |
record_format | Article |
series | Via@ |
spelling | doaj-art-ee54d47c5d7749c9a5745cfb0ace4aa12025-01-30T14:04:54ZdeuAssociation Via@Via@2259-924X2014-12-01610.4000/viatourism.700Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination managementTatjana ThimmFlamenco and tango are among the first associations which come to mind in connection with Seville and Buenos Aires. Ever since both art forms appeared in the 19th century, a form of dance tourism has been constantly evolving, giving rise to differentiated business models right up to the present day. Moreover, as intangible world cultural assets, flamenco and tango have acquired considerable importance for the destination image of both cities. The ‘governance of global value chains’ model of Gereffi et al. (2005) is here applied in adapted form to flamenco and tango dance tourism in order to derive dimensions of meaning in destination management.https://journals.openedition.org/viatourism/700dance tourismflamencotangointangible world cultural assetsvalue chains |
spellingShingle | Tatjana Thimm Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management Via@ dance tourism flamenco tango intangible world cultural assets value chains |
title | Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management |
title_full | Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management |
title_fullStr | Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management |
title_full_unstemmed | Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management |
title_short | Dance Tourism Business Models in Seville and Buenos Aires: dimensions of meaning of intangible cultural assets in destination management |
title_sort | dance tourism business models in seville and buenos aires dimensions of meaning of intangible cultural assets in destination management |
topic | dance tourism flamenco tango intangible world cultural assets value chains |
url | https://journals.openedition.org/viatourism/700 |
work_keys_str_mv | AT tatjanathimm dancetourismbusinessmodelsinsevilleandbuenosairesdimensionsofmeaningofintangibleculturalassetsindestinationmanagement |