Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk

The Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionabl...

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Main Author: Daniel Jean
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2009-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/1824
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author Daniel Jean
author_facet Daniel Jean
author_sort Daniel Jean
collection DOAJ
description The Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionable form of drama, and by leaving out all poetry. This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.
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institution Kabale University
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1969-6302
language English
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series Sillages Critiques
spelling doaj-art-ecafc1d5a67843f2bc6a7c18db81e4ce2025-01-30T13:46:32ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-011010.4000/sillagescritiques.1824Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential ClerkDaniel JeanThe Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionable form of drama, and by leaving out all poetry. This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.https://journals.openedition.org/sillagescritiques/1824T.S. EliotThe Confidential ClerkVerse DramaSecond World Warmetatheatrical discourseartificiality of theatre
spellingShingle Daniel Jean
Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
Sillages Critiques
T.S. Eliot
The Confidential Clerk
Verse Drama
Second World War
metatheatrical discourse
artificiality of theatre
title Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_full Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_fullStr Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_full_unstemmed Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_short Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_sort le vers comme indice d artificialite dans le theatre de t s eliot the confidential clerk
topic T.S. Eliot
The Confidential Clerk
Verse Drama
Second World War
metatheatrical discourse
artificiality of theatre
url https://journals.openedition.org/sillagescritiques/1824
work_keys_str_mv AT danieljean leverscommeindicedartificialitedansletheatredetseliottheconfidentialclerk