Reggae, identité et paysage urbain dans un bidonville de Kingston-ouest

This paper looks into place's multidimensionality through the example of a western Kingston's slum. Reading the urban – or more accurately proto-urban – landscape of the peculiar Trenchtown's community allows us to reveal the place's politics, culture and identity. Trenchtown is...

Full description

Saved in:
Bibliographic Details
Main Authors: Romain Cruse, Kevon Rhiney
Format: Article
Language:English
Published: Université de Reims Champagne-Ardennes 2011-07-01
Series:L'Espace Politique
Subjects:
Online Access:https://journals.openedition.org/espacepolitique/1997
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:This paper looks into place's multidimensionality through the example of a western Kingston's slum. Reading the urban – or more accurately proto-urban – landscape of the peculiar Trenchtown's community allows us to reveal the place's politics, culture and identity. Trenchtown is the birthplace of reggae stars such as Bob Marley and many more. Explaining this landscape brings in factors such as violence linked to political malpractices (garrison politics, clientelism, etc.), State's abandon tied to Jamaican society's segregation as well as international macroeconomics, chronic economic poverty and huge cultural wealth (notably through Reggae music that emerged there and Rastafari culture).
ISSN:1958-5500