On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell

This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later de...

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Main Author: Emeline Jouve
Format: Article
Language:English
Published: Presses Universitaires du Midi 2010-09-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/2162
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author Emeline Jouve
author_facet Emeline Jouve
author_sort Emeline Jouve
collection DOAJ
description This article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence.
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spelling doaj-art-eba39a79c27c419aa8e0bb98df868f452025-01-30T12:34:23ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662010-09-012725126210.4000/caliban.2162On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan GlaspellEmeline JouveThis article explores the representations of violence in Susan Glaspell’s play first produced by the Provincetown Players, the amateur theatre group that Glaspell and her husband, George Cram Cook, founded in 1915. In this work, the playwright sheds light on what sociologist Pierre Bourdieu later defined, in his seminal Masculine Domination, as "symbolic violence." Following Glaspell, we will examine the mechanisms of this masculine domination that oppresses her female heroine, Claire. The playwright also shows how women are able to counteract patriarchal violence and free themselves from the yoke of alienating conventions. The playwright does not trap Claire in the role of the passive victim but, instead, depicts her as a rebellious artist, Glaspell viewed her writing as political activism and encouraged active participation from her audience. This analysis will therefore consider the strategies used by the playwright to raise her spectators’ awareness of the issues surrounding symbolic violence.https://journals.openedition.org/acs/2162théâtre américainSusan GlaspellViolencefemmesémancipation féminineexpressionisme
spellingShingle Emeline Jouve
On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
Anglophonia
théâtre américain
Susan Glaspell
Violence
femmes
émancipation féminine
expressionisme
title On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_full On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_fullStr On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_full_unstemmed On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_short On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell
title_sort on the verge dramatisation de la violence symbolique dans the verge de susan glaspell
topic théâtre américain
Susan Glaspell
Violence
femmes
émancipation féminine
expressionisme
url https://journals.openedition.org/acs/2162
work_keys_str_mv AT emelinejouve onthevergedramatisationdelaviolencesymboliquedansthevergedesusanglaspell