A Universal Story: Conversations with Richard Potts About Human Evolution Heritage

This article derives from the conversation I had with Richard Potts in June 2023 about his work at the Human Origins Program of the Smithsonian National Museum of Natural History (Washington D. C.). Dr. Potts is one of the most renowned paleoanthropologists for his research about early humans in Afr...

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Main Author: Camila Marinetti
Format: Article
Language:English
Published: Universidad de los Andes (Bogotá) 2025-01-01
Series:Antípoda: Revista de Antropología y Arqueología
Subjects:
Online Access:https://revistas.uniandes.edu.co/index.php/antipoda/article/view/9649/10505
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author Camila Marinetti
author_facet Camila Marinetti
author_sort Camila Marinetti
collection DOAJ
description This article derives from the conversation I had with Richard Potts in June 2023 about his work at the Human Origins Program of the Smithsonian National Museum of Natural History (Washington D. C.). Dr. Potts is one of the most renowned paleoanthropologists for his research about early humans in Africa and the curation of the exhibit “What does it mean to be human?” at the NMNH. My primary objective was to explore his role in advancing our understanding of humanity’s evolutionary heritage within the broader discourse on world heritage. The interview, conducted in Dr. Potts’s office on June 9, 2023, was recorded and published with his informed consent. His insights shed light on various aspects of artifact acquisition, preservation, and interpretive guidance—key elements in the ongoing social and academic debates surrounding heritage. This includes a perspective rooted in the field of public archaeology that views its practice as a reflexive form of action, intended to raise awareness and foster interconnection between society and archaeological work. From this standpoint, museums serve as fundamental hubs in heritage creation, shaping aesthetic, ethnographic, archaeological, and historical perspectives in alignment with historical agendas, preservation ideologies, conflicting memories, and particular values regarding exhibition, design, and display. They highlight the complex interactions between classification and preservation, the identity narratives they encompass, the scientific and political agendas that shape them, the international networks supporting them, and the communities they cultivate through Potts’ vision.
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spelling doaj-art-ea4d67a7fd8b4306af0c0815e3a86e572025-01-27T20:31:08ZengUniversidad de los Andes (Bogotá)Antípoda: Revista de Antropología y Arqueología1900-54072011-42732025-01-015823124910.7440/antipoda58.2025.10A Universal Story: Conversations with Richard Potts About Human Evolution HeritageCamila Marinetti0https://orcid.org/0000-0002-3015-5674Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET), ArgentinaThis article derives from the conversation I had with Richard Potts in June 2023 about his work at the Human Origins Program of the Smithsonian National Museum of Natural History (Washington D. C.). Dr. Potts is one of the most renowned paleoanthropologists for his research about early humans in Africa and the curation of the exhibit “What does it mean to be human?” at the NMNH. My primary objective was to explore his role in advancing our understanding of humanity’s evolutionary heritage within the broader discourse on world heritage. The interview, conducted in Dr. Potts’s office on June 9, 2023, was recorded and published with his informed consent. His insights shed light on various aspects of artifact acquisition, preservation, and interpretive guidance—key elements in the ongoing social and academic debates surrounding heritage. This includes a perspective rooted in the field of public archaeology that views its practice as a reflexive form of action, intended to raise awareness and foster interconnection between society and archaeological work. From this standpoint, museums serve as fundamental hubs in heritage creation, shaping aesthetic, ethnographic, archaeological, and historical perspectives in alignment with historical agendas, preservation ideologies, conflicting memories, and particular values regarding exhibition, design, and display. They highlight the complex interactions between classification and preservation, the identity narratives they encompass, the scientific and political agendas that shape them, the international networks supporting them, and the communities they cultivate through Potts’ vision.https://revistas.uniandes.edu.co/index.php/antipoda/article/view/9649/10505cultural heritageevolutionexhibitionshuman species museum collectionsnatural history museums
spellingShingle Camila Marinetti
A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
Antípoda: Revista de Antropología y Arqueología
cultural heritage
evolution
exhibitions
human species museum collections
natural history museums
title A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
title_full A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
title_fullStr A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
title_full_unstemmed A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
title_short A Universal Story: Conversations with Richard Potts About Human Evolution Heritage
title_sort universal story conversations with richard potts about human evolution heritage
topic cultural heritage
evolution
exhibitions
human species museum collections
natural history museums
url https://revistas.uniandes.edu.co/index.php/antipoda/article/view/9649/10505
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