Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s
This paper analyzes the international distribution of Louis Feuillade’s adaptations of Fantômas novels and their large influence on foreign cinemas. It emphases the global success of Feuillade’s films, as well as the unevenness characterising their reception and assimilation by non-French cultural i...
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| Format: | Article |
| Language: | deu |
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Dalhousie University
2013-04-01
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| Series: | Belphégor |
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| Online Access: | https://journals.openedition.org/belphegor/125 |
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| _version_ | 1850124627168198656 |
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| author | Federico Pagello |
| author_facet | Federico Pagello |
| author_sort | Federico Pagello |
| collection | DOAJ |
| description | This paper analyzes the international distribution of Louis Feuillade’s adaptations of Fantômas novels and their large influence on foreign cinemas. It emphases the global success of Feuillade’s films, as well as the unevenness characterising their reception and assimilation by non-French cultural industries. A highly controversial character and a key player in the relationship between cinema and literature during the crucial years when the feature and serial films boosted and legitimized the film industry, Fantômas is without any doubt an exemplary case study of the transnational and transmediatic circulation of popular fiction. |
| format | Article |
| id | doaj-art-e93b2186eb1c49edb0f3c006918b264c |
| institution | OA Journals |
| issn | 1499-7185 |
| language | deu |
| publishDate | 2013-04-01 |
| publisher | Dalhousie University |
| record_format | Article |
| series | Belphégor |
| spelling | doaj-art-e93b2186eb1c49edb0f3c006918b264c2025-08-20T02:34:16ZdeuDalhousie UniversityBelphégor1499-71852013-04-0111110.4000/belphegor.125Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910sFederico PagelloThis paper analyzes the international distribution of Louis Feuillade’s adaptations of Fantômas novels and their large influence on foreign cinemas. It emphases the global success of Feuillade’s films, as well as the unevenness characterising their reception and assimilation by non-French cultural industries. A highly controversial character and a key player in the relationship between cinema and literature during the crucial years when the feature and serial films boosted and legitimized the film industry, Fantômas is without any doubt an exemplary case study of the transnational and transmediatic circulation of popular fiction.https://journals.openedition.org/belphegor/125FantômasRafflesLupinZigomarZa la MortUltus |
| spellingShingle | Federico Pagello Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s Belphégor Fantômas Raffles Lupin Zigomar Za la Mort Ultus |
| title | Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s |
| title_full | Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s |
| title_fullStr | Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s |
| title_full_unstemmed | Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s |
| title_short | Transnational Fantômas: The Influence of Feuillade’s Series on International Cinema during the 1910s |
| title_sort | transnational fantomas the influence of feuillade s series on international cinema during the 1910s |
| topic | Fantômas Raffles Lupin Zigomar Za la Mort Ultus |
| url | https://journals.openedition.org/belphegor/125 |
| work_keys_str_mv | AT federicopagello transnationalfantomastheinfluenceoffeuilladesseriesoninternationalcinemaduringthe1910s |