“This is not science. This is storytelling:” The Poetics of Science in Arcadia

After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provid...

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Main Author: Liliane Campos
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/2461
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author Liliane Campos
author_facet Liliane Campos
author_sort Liliane Campos
collection DOAJ
description After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis.
format Article
id doaj-art-e8ddfd648fd349718265f955499dd848
institution Kabale University
issn 1272-3819
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language English
publishDate 2011-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-e8ddfd648fd349718265f955499dd8482025-01-30T13:46:36ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011310.4000/sillagescritiques.2461“This is not science. This is storytelling:” The Poetics of Science in ArcadiaLiliane CamposAfter using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis.https://journals.openedition.org/sillagescritiques/2461StoppardtimeekphrasisArcadiasciencemetaphors
spellingShingle Liliane Campos
“This is not science. This is storytelling:” The Poetics of Science in Arcadia
Sillages Critiques
Stoppard
time
ekphrasis
Arcadia
science
metaphors
title “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_full “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_fullStr “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_full_unstemmed “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_short “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_sort this is not science this is storytelling the poetics of science in arcadia
topic Stoppard
time
ekphrasis
Arcadia
science
metaphors
url https://journals.openedition.org/sillagescritiques/2461
work_keys_str_mv AT lilianecampos thisisnotsciencethisisstorytellingthepoeticsofscienceinarcadia