“This is not science. This is storytelling:” The Poetics of Science in Arcadia
After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provid...
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Format: | Article |
Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2011-12-01
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Series: | Sillages Critiques |
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Online Access: | https://journals.openedition.org/sillagescritiques/2461 |
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author | Liliane Campos |
author_facet | Liliane Campos |
author_sort | Liliane Campos |
collection | DOAJ |
description | After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis. |
format | Article |
id | doaj-art-e8ddfd648fd349718265f955499dd848 |
institution | Kabale University |
issn | 1272-3819 1969-6302 |
language | English |
publishDate | 2011-12-01 |
publisher | Centre de Recherche "Texte et Critique de Texte" |
record_format | Article |
series | Sillages Critiques |
spelling | doaj-art-e8ddfd648fd349718265f955499dd8482025-01-30T13:46:36ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011310.4000/sillagescritiques.2461“This is not science. This is storytelling:” The Poetics of Science in ArcadiaLiliane CamposAfter using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis.https://journals.openedition.org/sillagescritiques/2461StoppardtimeekphrasisArcadiasciencemetaphors |
spellingShingle | Liliane Campos “This is not science. This is storytelling:” The Poetics of Science in Arcadia Sillages Critiques Stoppard time ekphrasis Arcadia science metaphors |
title | “This is not science. This is storytelling:” The Poetics of Science in Arcadia |
title_full | “This is not science. This is storytelling:” The Poetics of Science in Arcadia |
title_fullStr | “This is not science. This is storytelling:” The Poetics of Science in Arcadia |
title_full_unstemmed | “This is not science. This is storytelling:” The Poetics of Science in Arcadia |
title_short | “This is not science. This is storytelling:” The Poetics of Science in Arcadia |
title_sort | this is not science this is storytelling the poetics of science in arcadia |
topic | Stoppard time ekphrasis Arcadia science metaphors |
url | https://journals.openedition.org/sillagescritiques/2461 |
work_keys_str_mv | AT lilianecampos thisisnotsciencethisisstorytellingthepoeticsofscienceinarcadia |