Politique des récits médiatiques et esthétique de l’émancipation

An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discour...

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Main Author: Céline Masoni
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2024-07-01
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/15038
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author Céline Masoni
author_facet Céline Masoni
author_sort Céline Masoni
collection DOAJ
description An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discourse analysis in tension, with a view to analysing the critical reflexivity of the reader-writers of media narratives. Our visit to the theories of reception shifts the focus from the consideration of active or passive individualities to the de-subjectivised question of enunciation, taking up the practices of reading-writing, which are played out at the interface of the political and the aesthetic. This confrontation opens up a space where the dominant discourse on art, which supports an aesthetic ideology, gives way to an aesthetics of emancipation.
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publisher Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
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series Cahiers de Narratologie
spelling doaj-art-e8bb240a489c4cf5a9fa7dce2d52cdf92025-08-20T02:34:28ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2024-07-014510.4000/124svPolitique des récits médiatiques et esthétique de l’émancipationCéline MasoniAn initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discourse analysis in tension, with a view to analysing the critical reflexivity of the reader-writers of media narratives. Our visit to the theories of reception shifts the focus from the consideration of active or passive individualities to the de-subjectivised question of enunciation, taking up the practices of reading-writing, which are played out at the interface of the political and the aesthetic. This confrontation opens up a space where the dominant discourse on art, which supports an aesthetic ideology, gives way to an aesthetics of emancipation.https://journals.openedition.org/narratologie/15038Media NarrativesIdeologyDiscourseEnunciationSubjectEmancipation
spellingShingle Céline Masoni
Politique des récits médiatiques et esthétique de l’émancipation
Cahiers de Narratologie
Media Narratives
Ideology
Discourse
Enunciation
Subject
Emancipation
title Politique des récits médiatiques et esthétique de l’émancipation
title_full Politique des récits médiatiques et esthétique de l’émancipation
title_fullStr Politique des récits médiatiques et esthétique de l’émancipation
title_full_unstemmed Politique des récits médiatiques et esthétique de l’émancipation
title_short Politique des récits médiatiques et esthétique de l’émancipation
title_sort politique des recits mediatiques et esthetique de l emancipation
topic Media Narratives
Ideology
Discourse
Enunciation
Subject
Emancipation
url https://journals.openedition.org/narratologie/15038
work_keys_str_mv AT celinemasoni politiquedesrecitsmediatiquesetesthetiquedelemancipation