Dark Aesthete: Gothic Elements in the Fiction of Walter Pater

Walter Pater is today celebrated for his imaginary portraits, ekphrastic meditations on landscape, paintings, and sculpture; for his aesthetic method and prose style. It should now be acknowledged that he is also a master of the Gothic, whose synthesis of the beautiful and the horrific invests his f...

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Main Author: Geoffrey Johnston Sadock
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2009-04-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/5829
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author Geoffrey Johnston Sadock
author_facet Geoffrey Johnston Sadock
author_sort Geoffrey Johnston Sadock
collection DOAJ
description Walter Pater is today celebrated for his imaginary portraits, ekphrastic meditations on landscape, paintings, and sculpture; for his aesthetic method and prose style. It should now be acknowledged that he is also a master of the Gothic, whose synthesis of the beautiful and the horrific invests his fiction with a delayed but unforgettable urgency.After reviewing Pater's status in recent scholarship and defining ‘Gothic,’ ‘Dark Aesthete’ considers the kinds and instances of Gothic writing in his short stories, Marius the Epicurean, and unfinished novel Gaston de Latour (1889, revised text 1995). The essay elucidates the absent, ghost-like father-surrogate whose ‘half-hostile’ attitude leads to the tragic death or suffering of a blameless son, thereby providing the intersection of autobiography and Gothic literary tradition in these texts.
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publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-e839b3626af045b1998e5b2cbf90b1922025-01-30T10:22:10ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492009-04-016910.4000/cve.5829Dark Aesthete: Gothic Elements in the Fiction of Walter PaterGeoffrey Johnston SadockWalter Pater is today celebrated for his imaginary portraits, ekphrastic meditations on landscape, paintings, and sculpture; for his aesthetic method and prose style. It should now be acknowledged that he is also a master of the Gothic, whose synthesis of the beautiful and the horrific invests his fiction with a delayed but unforgettable urgency.After reviewing Pater's status in recent scholarship and defining ‘Gothic,’ ‘Dark Aesthete’ considers the kinds and instances of Gothic writing in his short stories, Marius the Epicurean, and unfinished novel Gaston de Latour (1889, revised text 1995). The essay elucidates the absent, ghost-like father-surrogate whose ‘half-hostile’ attitude leads to the tragic death or suffering of a blameless son, thereby providing the intersection of autobiography and Gothic literary tradition in these texts.https://journals.openedition.org/cve/5829
spellingShingle Geoffrey Johnston Sadock
Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
Cahiers Victoriens et Edouardiens
title Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
title_full Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
title_fullStr Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
title_full_unstemmed Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
title_short Dark Aesthete: Gothic Elements in the Fiction of Walter Pater
title_sort dark aesthete gothic elements in the fiction of walter pater
url https://journals.openedition.org/cve/5829
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