La réception des dispositifs immersifs au sein des expositions. Étude de publics au sein de l'exposition « Osiris, mystères engloutis d’Égypte » à l'Institut du monde arabe.
For the past thirty years, museums have been developing new types of exhibitions based on spectacular settings and the desire to “make visitors feel and experience the exhibition’s purpose”. Museums are developing strong emotions and immersion for visitors through their expographic devices. But what...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2023-06-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/25751 |
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| Summary: | For the past thirty years, museums have been developing new types of exhibitions based on spectacular settings and the desire to “make visitors feel and experience the exhibition’s purpose”. Museums are developing strong emotions and immersion for visitors through their expographic devices. But what factors in these exhibitions really produce immersion in visitors?This article attempts to understand what characterises immersion in an exhibition and which elements of the exhibition do or do not encourage visitor immersion. For this purpose, a study of the public was carried out at the Institut du Monde Arabe in Paris during the exhibition Osiris, mystères engloutis d’Égypte (2015). |
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| ISSN: | 2262-208X |