«Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini
The essay analyses the composition of Emilio Tadini’s first novel, Le armi l’amore (1963), its theoretical and stylistic genesis in the context of the experimental ferment of the late 1950s and early 1960s, especially within the «Quaderni milanesi», and the parallel contemporary trajectories of lead...
Saved in:
| Main Author: | Luigi Weber |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2025-02-01
|
| Series: | Finzioni |
| Subjects: | |
| Online Access: | https://finzioni.unibo.it/article/view/21415 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Lamore, Jean. Cuba
by: Leopoldo González Aguayo
Published: (2022-06-01) -
L'autoportrait chez Faulkner
by: Michel Gresset
Published: (2001-01-01) -
Le Nouveau Roman et le roman policier : éloge ou parodie ?
by: Simon Kemp
Published: (2015-09-01) -
D’une forêt à l’autre: quelques remarques à propos des discours de Stockholm de Claude Simon et de J.M.G. Le Clézio
by: Felipe Cammaert
Published: (2011-01-01) -
Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
by: Francisco Sousa Neto
Published: (2009-06-01)