«Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini
The essay analyses the composition of Emilio Tadini’s first novel, Le armi l’amore (1963), its theoretical and stylistic genesis in the context of the experimental ferment of the late 1950s and early 1960s, especially within the «Quaderni milanesi», and the parallel contemporary trajectories of lead...
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| Format: | Article |
| Language: | English |
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University of Bologna
2025-02-01
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| Series: | Finzioni |
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| Online Access: | https://finzioni.unibo.it/article/view/21415 |
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| author | Luigi Weber |
| author_facet | Luigi Weber |
| author_sort | Luigi Weber |
| collection | DOAJ |
| description | The essay analyses the composition of Emilio Tadini’s first novel, Le armi l’amore (1963), its theoretical and stylistic genesis in the context of the experimental ferment of the late 1950s and early 1960s, especially within the «Quaderni milanesi», and the parallel contemporary trajectories of leading French writers such as Michel Butor and Claude Simon, within a general legacy of Faulkner’s late modernism and a common acute sensitivity to the interaction between visual phenomena and verbal practices. |
| format | Article |
| id | doaj-art-e7004aa63f5344afb5ba4e08739e9b2d |
| institution | DOAJ |
| issn | 2785-2288 |
| language | English |
| publishDate | 2025-02-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Finzioni |
| spelling | doaj-art-e7004aa63f5344afb5ba4e08739e9b2d2025-08-20T03:00:04ZengUniversity of BolognaFinzioni2785-22882025-02-014821322510.6092/issn.2785-2288/2141519793«Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio TadiniLuigi Weber0Università di BolognaThe essay analyses the composition of Emilio Tadini’s first novel, Le armi l’amore (1963), its theoretical and stylistic genesis in the context of the experimental ferment of the late 1950s and early 1960s, especially within the «Quaderni milanesi», and the parallel contemporary trajectories of leading French writers such as Michel Butor and Claude Simon, within a general legacy of Faulkner’s late modernism and a common acute sensitivity to the interaction between visual phenomena and verbal practices.https://finzioni.unibo.it/article/view/21415butorfaulknerle armi l'amoreneo-historical novelsimon |
| spellingShingle | Luigi Weber «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini Finzioni butor faulkner le armi l'amore neo-historical novel simon |
| title | «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini |
| title_full | «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini |
| title_fullStr | «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini |
| title_full_unstemmed | «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini |
| title_short | «Mettere in evidenza tutte le linee di fuga»: the visual writing of Emilio Tadini |
| title_sort | mettere in evidenza tutte le linee di fuga the visual writing of emilio tadini |
| topic | butor faulkner le armi l'amore neo-historical novel simon |
| url | https://finzioni.unibo.it/article/view/21415 |
| work_keys_str_mv | AT luigiweber mettereinevidenzatuttelelineedifugathevisualwritingofemiliotadini |