Vers l’image aveugle : George Oppen et l’usage de la lumière
This article means to discuss the question of light in George Oppen’s poetry, quite independently of the images built within the poems. It is a paradoxical endeavour, and should only be seen as an exercise in approaching such an otherwise concrete poetry, known for its emphasis on the visible world....
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Format: | Article |
Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-12-01
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Series: | Sillages Critiques |
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Online Access: | https://journals.openedition.org/sillagescritiques/3411 |
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author | Xavier Kalck |
author_facet | Xavier Kalck |
author_sort | Xavier Kalck |
collection | DOAJ |
description | This article means to discuss the question of light in George Oppen’s poetry, quite independently of the images built within the poems. It is a paradoxical endeavour, and should only be seen as an exercise in approaching such an otherwise concrete poetry, known for its emphasis on the visible world. Yet, let us assume there is some merit to this detour, inasmuch as it will allow us to show how eminently reflexive and abstract George Oppen’s poetry is, and that it ought not to be read only when in search of serial and local perceptions. |
format | Article |
id | doaj-art-e6d25904ec3043959f1e0cf9f57217c6 |
institution | Kabale University |
issn | 1272-3819 1969-6302 |
language | English |
publishDate | 2013-12-01 |
publisher | Centre de Recherche "Texte et Critique de Texte" |
record_format | Article |
series | Sillages Critiques |
spelling | doaj-art-e6d25904ec3043959f1e0cf9f57217c62025-01-30T13:47:53ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-12-011710.4000/sillagescritiques.3411Vers l’image aveugle : George Oppen et l’usage de la lumièreXavier KalckThis article means to discuss the question of light in George Oppen’s poetry, quite independently of the images built within the poems. It is a paradoxical endeavour, and should only be seen as an exercise in approaching such an otherwise concrete poetry, known for its emphasis on the visible world. Yet, let us assume there is some merit to this detour, inasmuch as it will allow us to show how eminently reflexive and abstract George Oppen’s poetry is, and that it ought not to be read only when in search of serial and local perceptions.https://journals.openedition.org/sillagescritiques/3411ambiguitypoetryphotographymodernismGeorge Oppenawe |
spellingShingle | Xavier Kalck Vers l’image aveugle : George Oppen et l’usage de la lumière Sillages Critiques ambiguity poetry photography modernism George Oppen awe |
title | Vers l’image aveugle : George Oppen et l’usage de la lumière |
title_full | Vers l’image aveugle : George Oppen et l’usage de la lumière |
title_fullStr | Vers l’image aveugle : George Oppen et l’usage de la lumière |
title_full_unstemmed | Vers l’image aveugle : George Oppen et l’usage de la lumière |
title_short | Vers l’image aveugle : George Oppen et l’usage de la lumière |
title_sort | vers l image aveugle george oppen et l usage de la lumiere |
topic | ambiguity poetry photography modernism George Oppen awe |
url | https://journals.openedition.org/sillagescritiques/3411 |
work_keys_str_mv | AT xavierkalck verslimageaveuglegeorgeoppenetlusagedelalumiere |