Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés

This article, which explores the textuality, intertextuality and fictionality of urban space in Melville’s Pierre aims at challenging the apparent opposition between urban and rural spaces in the novel. The hero’s departure from Saddle Meadows does not put an end to his distorted and distorting visi...

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Main Author: Ronan Ludot-Vlasak
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1438
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author Ronan Ludot-Vlasak
author_facet Ronan Ludot-Vlasak
author_sort Ronan Ludot-Vlasak
collection DOAJ
description This article, which explores the textuality, intertextuality and fictionality of urban space in Melville’s Pierre aims at challenging the apparent opposition between urban and rural spaces in the novel. The hero’s departure from Saddle Meadows does not put an end to his distorted and distorting vision of reality: the urban space Pierre is confronted with is nothing but a new imaginary construct filtered through his readings. The persistence of intertextual references once Pierre moves to the Apostles testifies to his attempt at encoding urban space, but also reveals the growing gap between the hero and the environment he lives in, his perception of the city being that of a fragmented world which turns out to be an illegible text as well as a labyrinthine theatrical space.
format Article
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record_format Article
series Anglophonia
spelling doaj-art-e6994d777dec4e57898b536206581c042025-01-30T12:34:03ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-0125395010.4000/caliban.1438Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtésRonan Ludot-VlasakThis article, which explores the textuality, intertextuality and fictionality of urban space in Melville’s Pierre aims at challenging the apparent opposition between urban and rural spaces in the novel. The hero’s departure from Saddle Meadows does not put an end to his distorted and distorting vision of reality: the urban space Pierre is confronted with is nothing but a new imaginary construct filtered through his readings. The persistence of intertextual references once Pierre moves to the Apostles testifies to his attempt at encoding urban space, but also reveals the growing gap between the hero and the environment he lives in, his perception of the city being that of a fragmented world which turns out to be an illegible text as well as a labyrinthine theatrical space.https://journals.openedition.org/acs/1438ShakespeareMelvilleespace urbainreprésentationintertextualitéfictionnalité
spellingShingle Ronan Ludot-Vlasak
Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
Anglophonia
Shakespeare
Melville
espace urbain
représentation
intertextualité
fictionnalité
title Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
title_full Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
title_fullStr Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
title_full_unstemmed Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
title_short Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
title_sort le theatre de pierre espace urbain et inter textualite dans pierre ou les ambiguites
topic Shakespeare
Melville
espace urbain
représentation
intertextualité
fictionnalité
url https://journals.openedition.org/acs/1438
work_keys_str_mv AT ronanludotvlasak letheatredepierreespaceurbainetintertextualitedanspierreoulesambiguites