Sorolla : vers l’immersion
The familiarity of Sorolla's painting is not only the result of the subjects he represents and their universality, nor of the faithfulness to reality, which is often attributed to this virtuoso painter. It also stems from the use of particular techniques too often hastily characterized as "...
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| Format: | Article |
| Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2021-02-01
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| Series: | Cahiers de Civilisation Espagnole Contemporaine |
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| Online Access: | https://journals.openedition.org/ccec/11551 |
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| _version_ | 1832581550334541824 |
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| author | Pierre Géal |
| author_facet | Pierre Géal |
| author_sort | Pierre Géal |
| collection | DOAJ |
| description | The familiarity of Sorolla's painting is not only the result of the subjects he represents and their universality, nor of the faithfulness to reality, which is often attributed to this virtuoso painter. It also stems from the use of particular techniques too often hastily characterized as "photographic". The importance that Sorolla attaches to the question of framing brings into play a real thought about the observer and his sometimes paradoxal relationship to the painting. |
| format | Article |
| id | doaj-art-e65b2fb3031d4474a81f0ba9bbe76c05 |
| institution | Kabale University |
| issn | 1957-7761 |
| language | English |
| publishDate | 2021-02-01 |
| publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
| record_format | Article |
| series | Cahiers de Civilisation Espagnole Contemporaine |
| spelling | doaj-art-e65b2fb3031d4474a81f0ba9bbe76c052025-01-30T10:09:59ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612021-02-012510.4000/ccec.11551Sorolla : vers l’immersionPierre GéalThe familiarity of Sorolla's painting is not only the result of the subjects he represents and their universality, nor of the faithfulness to reality, which is often attributed to this virtuoso painter. It also stems from the use of particular techniques too often hastily characterized as "photographic". The importance that Sorolla attaches to the question of framing brings into play a real thought about the observer and his sometimes paradoxal relationship to the painting.https://journals.openedition.org/ccec/11551Sorollaphotographyframingpaintingviewer |
| spellingShingle | Pierre Géal Sorolla : vers l’immersion Cahiers de Civilisation Espagnole Contemporaine Sorolla photography framing painting viewer |
| title | Sorolla : vers l’immersion |
| title_full | Sorolla : vers l’immersion |
| title_fullStr | Sorolla : vers l’immersion |
| title_full_unstemmed | Sorolla : vers l’immersion |
| title_short | Sorolla : vers l’immersion |
| title_sort | sorolla vers l immersion |
| topic | Sorolla photography framing painting viewer |
| url | https://journals.openedition.org/ccec/11551 |
| work_keys_str_mv | AT pierregeal sorollaverslimmersion |