Gordon Root (Hg.), Schoenberg’s Models for Beginners in Composition (= Schoenberg in Words, Bd. 2), New York: Oxford University Press 2016

Gordon Root (Hg.), Schoenberg’s Models for Beginners in Composition (= Schoenberg in Words, Bd. 2), New York: Oxford University Press 2016

Saved in:

Bibliographic Details
Main Author:	Ulrich Krämer
Format:	Article
Language:	deu
Published:	Gesellschaft für Musiktheorie (GMTH) 2018-06-01
Series:	Zeitschrift der Gesellschaft für Musiktheorie
Online Access:	https://storage.gmth.de/zgmth/pdf/959
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Simple Proofs for Bochner-Schoenberg-Eberlein and the Bochner-Schoenberg-Eberlein Module Properties on ℓpX,A
by: Shirin Tavkoli, et al.
Published: (2024-01-01)

The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception
by: John Covach
Published: (2018-12-01)

Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid
by: Matthew Arndt
Published: (2019-06-01)

The Reception and Dissemination of European Music Theories in Brazil. Riemann, Schenker, and Schoenberg
by: Carlos de Lemos Almada, et al.
Published: (2018-12-01)

Sumanth Gopinath / Pwill ap Siôn (Hg.), Rethinking Reich, New York: Oxford University Press 2019
by: Tobias Robert Klein
Published: (2021-12-01)

Daniel Harrison, Pieces of Tradition. An Analysis of Contemporary Tonal Music, New York: Oxford University Press 2016
by: Ullrich Scheideler
Published: (2018-12-01)

Are We Bodies or Souls? New York, NY: Oxford University Press, 2019
by: Aykut Alper Yılmaz
Published: (2019-11-01)

Steven Rings, Tonality and Transformation, New York: Oxford University Press 2011
by: Jan Philipp Sprick
Published: (2017-06-01)

Nicholas Cook, Beyond the Score: Music as Performance, New York: Oxford University Press 2013
by: Christian Utz
Published: (2015-01-01)

Dániel Péter Biró / Harald Krebs (Hg.), The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective, Oxford: Oxford University Press 2014
by: Hans Niklas Kuhn
Published: (2015-01-01)

ALEXANDER, Jeffrey C. The civil sphere. New York: Oxford University Press, 2006. 793p.
by: Rogério de Souza Medeiros
Published: (2014-03-01)

Giorgio Sanguinetti, The Art of Partimento. History, Theory, and Practice, New York: Oxford University Press 2012
by: Markus Schwenkreis
Published: (2012-01-01)

James R. O'Shea, ed. Sellars and His Legacy. Oxford: Oxford University Press, 2016. 266pp.
by: Sebastián Sánchez Martínez
Published: (2017-01-01)

Gretchen G. Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky, New York: Oxford University Press 2011 / Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–25), New York: Oxford University Press 2014
by: Hans Peter Reutter
Published: (2015-01-01)

Richard Cohn, Audacious Euphony – Chromaticism and the Triad’s Second Nature, New York: Oxford University Press 2012
by: Ariane Jeßulat
Published: (2014-01-01)

Elizabeth Hellmuth Margulis, On Repeat: How Music Plays the Mind, New York: Oxford University Press 2014
by: Melanie Wald-Fuhrmann
Published: (2015-01-01)

Thomas Ahrend / Matthias Schmidt (Hg.), Webern-Philologien (= Webern-Studien. Beihefte der Anton Webern Gesamtausgabe, Bd. 3), Wien: Lafite 2016
by: Ullrich Scheideler
Published: (2017-12-01)

Peter Williams, The Chromatic Fourth, Oxford: Oxford University Press 1997
by: Ariane Jeßulat
Published: (2007-01-01)

Kripke, Saul A. Reference and Existence. The John Locke Lectures. New York: Oxford University Press, 2013. 170 pp.
by: Tomás Barrero
Published: (2016-01-01)

Job IJzerman, Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters, New York: Oxford University Press 2018
by: Matan Entin
Published: (2020-12-01)

Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791, New York: Oxford University Press 2010
by: Peter Petersen
Published: (2014-01-01)

Nicholas Baragwanath, The Solfeggio Tradition. A Forgotten Art of Melody in the Long Eighteenth Century, New York: Oxford University Press 2020
by: Hans Aerts
Published: (2021-06-01)

Building web apps with WordPress : WordPress as an application framework /
by: Messenlehner, Brian, et al.
Published: (2020)

Ferber, Ilit. Language Pangs. On Pain and The Origin of Language. Oxford: Oxford University Press, 2019. 193 pp.1
by: MARÍA DEL ROSARIO ACOSTA LÓPEZ
Published: (2021-01-01)

Tariq Jaffer. Rāzī Master of Qurʾānic Interpretation and Theological Reasoning. New York: Oxford University Press, 2017. 244 pp. ISBN 978-0-19-066351-3.
by: Muammer İskenderoğlu
Published: (2018-11-01)

A. V. Schleicher. Colloquial Yoruba: The Complete Course for Beginners. New York and London: Routledge, 2008. 295 pp.
by: Taiwo Oluwaseun Ehineni
Published: (2021-12-01)

Lee Rothfarb and Christoph Landerer, Eduard Hanslick’s ‘On the Musically Beautiful’: A New Translation, New York: Oxford University Press 2018 / Alexander Wilfing, Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen (= Wiener Veröffentlichungen zur Musikwissenschaft, Bd. 49), Wien: Hollitzer 2019
by: Benedict Taylor
Published: (2021-06-01)

BD (dé)coloniale
by: Sujarei Tali
Published: (2017-06-01)

BD Carthage® Guyane
by: Charline Mourguiart, et al.
Published: (2013-09-01)

Zwischen theoretischer Strenge und Milde - Anmerkungen zu Fred Lerdahls Tonal Pitch Space, Oxford: Oxford University Press 2001
by: Thomas Noll
Published: (2005-04-01)

Robert O. Gjerdingen, Music in the Galant Style, Oxford University Press 2007
by: Markus Neuwirth
Published: (2008-01-01)

Gow Peter, An Amazonian myth and its history, Oxford University Press, coll. « Oxford studies in social and cultural anthropology », Oxford, 2001, xiii + 338 p., bibl., index, ill., cartes
by: Valentina Vapnarsky
Published: (2005-12-01)

Alexander Rehding / Susannah Clark (Hg.), Music in Time. Phenomenology, Perception, Performance. Essays in Honor of Christopher F. Hasty, Cambridge (MA): Harvard University Press 2016
by: Thomas Ahrend
Published: (2018-12-01)

Patrick Boenke / Birger Petersen (Hg.), Musikalische Logik und musikalischer Zusammenhang (= Studien und Materialien zur Musikwissenschaft, Bd. 82), Hildesheim: Olms 2014
by: Kilian Sprau
Published: (2019-12-01)

Markus Schwenkreis (Hg.), Compendium Improvisation – Fantasieren nach historischen Quellen des 17. und 18. Jahrhunderts (= Scripta, Bd. 5), Basel: Schwabe 2018
by: Lutz Felbick
Published: (2019-06-01)

Packard's “Entomology for Beginners”
by: George Dimmock
Published: (1889-01-01)

JUAN CARLOS MORENO-BRIDY JAIME ROS, Development and Growth in the Mexican Economy. A Historical Perspective, Oxford, Oxford University Press, 2009, 310 pp.
by: Isaac Leobardo Sánchez Juárez
Published: (2010-01-01)

Amelia DeFalco, Curious Kin in Fictions of Posthuman Care, Oxford University Press, 2023
by: Stephen Katz
Published: (2025-02-01)

Stefan Gasch (Hg.), Ästhetik der Innerlichkeit. Max Reger und das Lied um 1900 (= Wiener Veröffentlichungen zur Musikgeschichte, Bd. 48), Wien: Hollitzer 2018
by: Claus Bockmaier
Published: (2021-06-01)

Review of / Reseña de: Narayanan, Amrita. Women’s Sexuality and Modern India. In a Rapture of Distress. Oxford: Oxford University Press, 2023. 200 pp. ISBN: 9780192859815
by: Ana María Crespo Gómez
Published: (2024-07-01)