‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION
Ingmar Bergman’s The Rite (1969): the Actor-as-Actor between Anagnorisis and Fragility of Identification. The present paper analyses the strange identification experienced by the Bergmanian actor-as-actor, due to a perpetual memory of the body. We will examine the manner in which the actor who play...
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| Format: | Article |
| Language: | deu |
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Babeș-Bolyai University
2017-04-01
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| Series: | Studia Universitatis Babeș-Bolyai. Philosophia |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314 |
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