Rethinking Representation and Animation

Archaeological interpretations of prehistoric humanoid figurines, made and used by the hunter-gatherers of the Stone Ages, have traditionally relied on Western concepts of hylomorphism and iconology. Consequently, these figurines are depicted as finished and static objects of art, often separated f...

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Main Authors: Erik Solfeldt, Anna Naglaya
Format: Article
Language:English
Published: Svenska Arkeologiska Samfundet 2025-01-01
Series:Current Swedish Archaeology
Subjects:
Online Access:https://publicera.kb.se/csa/article/view/24748
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author Erik Solfeldt
Anna Naglaya
author_facet Erik Solfeldt
Anna Naglaya
author_sort Erik Solfeldt
collection DOAJ
description Archaeological interpretations of prehistoric humanoid figurines, made and used by the hunter-gatherers of the Stone Ages, have traditionally relied on Western concepts of hylomorphism and iconology. Consequently, these figurines are depicted as finished and static objects of art, often separated from their archaeological contexts. Analysis of these figurines has been focused on identifying what they represent, rather than considering what they do or how people used them. This paper draws on new animism and Indigenous knowledge, combined with visual ethnographic analysis to create a visual ethnoarchaeology of northwestern Siberian humanoid figurines, here viewed as material spirits, within their animistic contexts. We argue that archaeologists’ interpretative focus on representation should be abandoned in favour of attending to animation and the material and immaterial ecological relations these figurines shared with their prehistoric makers.
format Article
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institution Kabale University
issn 1102-7355
2002-3901
language English
publishDate 2025-01-01
publisher Svenska Arkeologiska Samfundet
record_format Article
series Current Swedish Archaeology
spelling doaj-art-e5fcecab5d584785b639490520b980582025-01-25T01:41:25ZengSvenska Arkeologiska SamfundetCurrent Swedish Archaeology1102-73552002-39012025-01-013210.37718/CSA.2024.07Rethinking Representation and AnimationErik Solfeldt0https://orcid.org/0009-0007-7056-8602Anna Naglaya1Department of Archaeology and Classical Studies, Stockholm UniversityIndependent researcher. Anna Naglaya Photography, Netherlands Archaeological interpretations of prehistoric humanoid figurines, made and used by the hunter-gatherers of the Stone Ages, have traditionally relied on Western concepts of hylomorphism and iconology. Consequently, these figurines are depicted as finished and static objects of art, often separated from their archaeological contexts. Analysis of these figurines has been focused on identifying what they represent, rather than considering what they do or how people used them. This paper draws on new animism and Indigenous knowledge, combined with visual ethnographic analysis to create a visual ethnoarchaeology of northwestern Siberian humanoid figurines, here viewed as material spirits, within their animistic contexts. We argue that archaeologists’ interpretative focus on representation should be abandoned in favour of attending to animation and the material and immaterial ecological relations these figurines shared with their prehistoric makers. https://publicera.kb.se/csa/article/view/24748Figurines‘Idols’AnimismHylomorphismIconologyEthnoarchaeology
spellingShingle Erik Solfeldt
Anna Naglaya
Rethinking Representation and Animation
Current Swedish Archaeology
Figurines
‘Idols’
Animism
Hylomorphism
Iconology
Ethnoarchaeology
title Rethinking Representation and Animation
title_full Rethinking Representation and Animation
title_fullStr Rethinking Representation and Animation
title_full_unstemmed Rethinking Representation and Animation
title_short Rethinking Representation and Animation
title_sort rethinking representation and animation
topic Figurines
‘Idols’
Animism
Hylomorphism
Iconology
Ethnoarchaeology
url https://publicera.kb.se/csa/article/view/24748
work_keys_str_mv AT eriksolfeldt rethinkingrepresentationandanimation
AT annanaglaya rethinkingrepresentationandanimation