Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir

For her "tragicomedies of manners", The Romantic Comedians (1926), They Stooped to Folly (1929) and The Sheltered Life (1932), Ellen Glasgow chose a common setting, the fictional town of Queenborough. Although she modeled it mainly on Richmond, Virginia, she meant it to represent "the...

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Main Author: Brigitte Zaugg
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1671
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author Brigitte Zaugg
author_facet Brigitte Zaugg
author_sort Brigitte Zaugg
collection DOAJ
description For her "tragicomedies of manners", The Romantic Comedians (1926), They Stooped to Folly (1929) and The Sheltered Life (1932), Ellen Glasgow chose a common setting, the fictional town of Queenborough. Although she modeled it mainly on Richmond, Virginia, she meant it to represent "the distilled essence of all Virginia cities rather than the speaking likeness of one". The portrait she drew was dictated by the period, the turn of the century—a time of societal, economic and architectural changes. Queenborough stands at a crossroads, poised between a past holding it back and a future pulling it forward. Glasgow finds herself in the same predicament, wanting to welcome progress but simultaneously eyeing it with suspicion, as it entails industrialism. The city she presents is on the verge of becoming a new Babylon in a southern setting, especially in the last novel of the trilogy: limits between districts become blurred, the foundations of Virginian society are shaken, and the advent of progress is symbolized by a bad smell that invades formerly smart neighbourhoods. Queenborough acquires a metonymic dimension: it is Virginia, it is the South as a whole.
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spelling doaj-art-e5a6022b9329462c95823eb19425ae402025-01-30T12:34:10ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-012535336310.4000/caliban.1671Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenirBrigitte ZauggFor her "tragicomedies of manners", The Romantic Comedians (1926), They Stooped to Folly (1929) and The Sheltered Life (1932), Ellen Glasgow chose a common setting, the fictional town of Queenborough. Although she modeled it mainly on Richmond, Virginia, she meant it to represent "the distilled essence of all Virginia cities rather than the speaking likeness of one". The portrait she drew was dictated by the period, the turn of the century—a time of societal, economic and architectural changes. Queenborough stands at a crossroads, poised between a past holding it back and a future pulling it forward. Glasgow finds herself in the same predicament, wanting to welcome progress but simultaneously eyeing it with suspicion, as it entails industrialism. The city she presents is on the verge of becoming a new Babylon in a southern setting, especially in the last novel of the trilogy: limits between districts become blurred, the foundations of Virginian society are shaken, and the advent of progress is symbolized by a bad smell that invades formerly smart neighbourhoods. Queenborough acquires a metonymic dimension: it is Virginia, it is the South as a whole.https://journals.openedition.org/acs/1671Sudvilleentre-deuxreprésentationEllen GlasgowQueenborough
spellingShingle Brigitte Zaugg
Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
Anglophonia
Sud
ville
entre-deux
représentation
Ellen Glasgow
Queenborough
title Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
title_full Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
title_fullStr Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
title_full_unstemmed Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
title_short Le Queenborough d’Ellen Glasgow : cartographie d’une Babylone en devenir
title_sort le queenborough d ellen glasgow cartographie d une babylone en devenir
topic Sud
ville
entre-deux
représentation
Ellen Glasgow
Queenborough
url https://journals.openedition.org/acs/1671
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