Original Minority: The Screenplay Based on the Literary Text (“Intermezzo” by Serhii Parajanov)
A screenplay, being a new and objectively separate form of the modern art and at the same time a new type of text, takes an autonomous niche in the literary canon. Though and nowadays too little scientific attention is paid to the script legacy of one writer/scenarist/artist or another. Normally scr...
Saved in:
| Main Author: | Nataliia Nikoriak |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Yuriy Fedkovych Chernivtsi National University
2017-11-01
|
| Series: | Pitannâ Lìteraturoznavstva |
| Subjects: | |
| Online Access: | http://pytlit.chnu.edu.ua/article/view/116736 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)]
by: Yevheniy Vasilyev
Published: (2013-12-01) -
The Fine Art in Structure of John Fowles’ Novel “The French Lieutenant’s Woman”
by: Oksana Levytska
Published: (2013-12-01) -
Поетична метафізика прози Івана Ковача
by: Volodymyr Antofiichuk
Published: (2023-06-01) -
Творча репліка Л. Толстого до М. Костомарова в жанрі мідквел
by: Inna Volkovynska
Published: (2017-11-01) -
Johannes Brahms’ Intermezzo a-Moll op. 118/1. Analyseergebnisse und ihre klangliche Umsetzung
by: Joanne Leekam
Published: (2013-01-01)