Génération Crivelli
Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2011-01-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/1646 |
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| Summary: | Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis. But Crivelli has himself aroused a « family », the crivelleschi : these painters who imitated his style during around thirty years. In order to understand this phenomenon, we need another model: religious imitation, « hagiographic kinship » or « holy tribe ». |
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| ISSN: | 1778-3801 |