Transit of Clowning Becomings in their Interrelations Between Circus and Theater

This article is based on the philosophical aspects imbricated in the interrelationships between circus, theater and clowning. A theoretical framework is approached in order to elucidate inter-agencies and zones of proximity established between the areas elaborated here. The work of the artist Gardi...

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Main Author: Mariana Augusta Azevedo Silva
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2025-05-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/debatesdoner/citations/index.php/presenca/article/view/147720
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author Mariana Augusta Azevedo Silva
author_facet Mariana Augusta Azevedo Silva
author_sort Mariana Augusta Azevedo Silva
collection DOAJ
description This article is based on the philosophical aspects imbricated in the interrelationships between circus, theater and clowning. A theoretical framework is approached in order to elucidate inter-agencies and zones of proximity established between the areas elaborated here. The work of the artist Gardi Hutter stands out as a place to apprehend the fluxes that run through the conjunction between these arts, using acrobatic techniques, object manipulation and illusionism, together with techniques inherent to clowning itself, and appropriating scenic lighting, scenery, costume and sound resources capable of constituting a transit of becoming that is established in the circus-theater-clowning context.
format Article
id doaj-art-e4e34dbc4a4b42cea111645e45ba958e
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issn 2237-2660
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publisher Universidade Federal do Rio Grande do Sul
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series Revista Brasileira de Estudos da Presença
spelling doaj-art-e4e34dbc4a4b42cea111645e45ba958e2025-08-20T03:22:19ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602025-05-01152Transit of Clowning Becomings in their Interrelations Between Circus and TheaterMariana Augusta Azevedo Silva0Universidade Federal de Ouro Preto – UFOP This article is based on the philosophical aspects imbricated in the interrelationships between circus, theater and clowning. A theoretical framework is approached in order to elucidate inter-agencies and zones of proximity established between the areas elaborated here. The work of the artist Gardi Hutter stands out as a place to apprehend the fluxes that run through the conjunction between these arts, using acrobatic techniques, object manipulation and illusionism, together with techniques inherent to clowning itself, and appropriating scenic lighting, scenery, costume and sound resources capable of constituting a transit of becoming that is established in the circus-theater-clowning context. https://seer.ufrgs.br/debatesdoner/citations/index.php/presenca/article/view/147720TheaterCircusClowningInter-agenciesNeighborhood Areas
spellingShingle Mariana Augusta Azevedo Silva
Transit of Clowning Becomings in their Interrelations Between Circus and Theater
Revista Brasileira de Estudos da Presença
Theater
Circus
Clowning
Inter-agencies
Neighborhood Areas
title Transit of Clowning Becomings in their Interrelations Between Circus and Theater
title_full Transit of Clowning Becomings in their Interrelations Between Circus and Theater
title_fullStr Transit of Clowning Becomings in their Interrelations Between Circus and Theater
title_full_unstemmed Transit of Clowning Becomings in their Interrelations Between Circus and Theater
title_short Transit of Clowning Becomings in their Interrelations Between Circus and Theater
title_sort transit of clowning becomings in their interrelations between circus and theater
topic Theater
Circus
Clowning
Inter-agencies
Neighborhood Areas
url https://seer.ufrgs.br/debatesdoner/citations/index.php/presenca/article/view/147720
work_keys_str_mv AT marianaaugustaazevedosilva transitofclowningbecomingsintheirinterrelationsbetweencircusandtheater