« O Paradiso » : voix parlée, voix chantée dans The Gigli Concert (1983) de Tom Murphy

« O Paradiso » : voix parlée, voix chantée dans The Gigli Concert (1983) de Tom Murphy

Saved in:

Bibliographic Details
Main Author:	Alexandra Poulain
Format:	Article
Language:	English
Published:	Centre de Recherche "Texte et Critique de Texte" 2005-04-01
Series:	Sillages Critiques
Subjects:	lyrical voice Irish Literary Theatre The Gigli Concert A Whistle in the Dark Abbey Theatre
Online Access:	https://journals.openedition.org/sillagescritiques/1066
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Voix soufflées, voix volées, voix intervocales
by: Helga Finter
Published: (2013-06-01)

‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World
by: Hélène Lecossois
Published: (2016-07-01)

Lilian Davidson (“Ulick Burke”) and Jennifer Davidson (“Jennifer Maude”): Mistaken Identities and Short-Lived Success in the Irish Theatre of the 1930s
by: José Lanters
Published: (2025-03-01)

Le chant novarinien en voix-poème : vers la justesse de l’oralité
by: Alexandra Gaudechaux
Published: (2022-11-01)

Global Ireland and the Digital Footprint: The Abbey Theatre Archives in the Digital Repository of Ireland
by: Nahed Mohammed Ahmed Meklash
Published: (2023-07-01)

Etude acoustique comparative de la voix parlée et chantée au cours de la mue de l'adolescent
by: Benoît Amy de la Bretèque
Published: (1999-01-01)

Public Interview with Garry Hynes
by: Thomas Conway
Published: (2016-07-01)

Simulated Sound-Fields in a Multi-Configurable Auditorium
by: Pedro BUSTAMANTE, et al.
Published: (2014-07-01)

“Being Design’d as a Concert Intermix’d with the Play”
by: Peter Holman
Published: (2024-12-01)

L’institutionnalisation des concerts publics
by: David Ledent
Published: (2009-05-01)

La voix contemporaine de Molière (ou les voies d'un Impromptu sur scène)
by: Marta Teixeira Anacleto
Published: (2018-05-01)

Gig contract as a Ukrainian legal phenomenon and features of its occurrence in the framework of gig economy
by: Valeriia Filinovych, et al.
Published: (2025-06-01)

Navigating the gig economy: exploring challenges and motivations for the wellbeing of Gen Y and Gen Z gig workers
by: Jikku Susan Kurian, et al.
Published: (2024-12-01)

Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
by: Pierre Longuenesse
Published: (2016-06-01)

Re-Claiming “A queen of women as of States”: Feminist Historiography as Dramaturgical Space in Lady Gregory’s Grania (1912), Kincora (1905/1909), and Dervorgrilla (1907)
by: Nora Grimes
Published: (2025-06-01)

Elisabeth Angel-Perez, Le Théâtre de l’oblitération : essai sur la voix photogénique dans le théâtre britannique contemporain
by: Aloysia Rousseau
Published: (2024-09-01)

Le Jeu et l’Accessoire. Mélanges en l’honneur du professeur Michel Rousse
by: Jouda Sellami
Published: (2014-01-01)

Passé et avenir du théâtre de science-fiction
by: Susan Gray, et al.
Published: (2021-12-01)

Le “Written Speech” yeatsien et ses expressions scéniques
by: Pierre Longuenesse
Published: (2013-06-01)

This is my Instrument: An Approach towards Performance Practice for Integrated Concerts
by: Thomas R. Moore
Published: (2023-07-01)

Anatoly Vasiliev’s Theatre. Semiology of Continuity and the Way to a New Type of Theatrical System
by: A. I. Perevalov
Published: (2024-06-01)

The hologram application effect on the interior design of concert halls and the sound system
by: shaimaa abou shousha
Published: (2025-07-01)

“I had post-concert depression”: A study of Lucy fans after the Jakarta concert
by: Dimas Ramadhiansyah
Published: (2025-04-01)

Errand Runners of Digital Platform Capitalism: The Errand Economy as a Contribution to the Discussion on the Gig Economy
by: İsa Demir
Published: (2024-02-01)

Voix d’ici et d’ailleurs: Le micro-théâtre à l’Université d’Almería à travers l’étude d’Une si longue lettre de Mariama Bâ: aspects culturels, didactiques et phonétiques
by: Syrine Daoussi, et al.
Published: (2023-12-01)

Types of the modern opera house management. The producer-type repertory theater (on the example of Ural Opera Ballet)
by: Andrey G. Shishkin
Published: (2022-03-01)

« Nous ne parlions pas la même langue, mais nous parlions le même langage »
by: Marie-Christine Gay
Published: (2013-12-01)

Rib resection using a Gigli saw under thoracoscopic guidance
by: Ilhan Ocakcioglu, et al.
Published: (2018-07-01)

“Nowadays the house would be called a stately home”: Pastoral Relocations in Tom Stoppard’s Arcadia
by: John Bull
Published: (2011-12-01)

Toward the concert and music tourism in Solo of Indonesia
by: I Dewa Gde Satrya
Published: (2024-12-01)

La France au xxve siècle : quand la mémoire des êtres chers appartient au business de la résurrection. France-Fantôme de Tiphaine Raffier (2017)
by: Flore Garcin-Marrou, et al.
Published: (2021-12-01)

Exploring the Acoustics of Ancient Open-Air Theatres
by: Sara GIRÓN, et al.
Published: (2020-04-01)

Filmowe rejestracje teatru - opis i problematyzacje zjawiska
by: ADAM DOMALEWSKI
Published: (2016-10-01)

Digitalisation of the Tourism Industry and Self-Employment: Challenges of the Gig-Economy
by: Olena Stryzhak, et al.
Published: (2025-01-01)

Ekonomi Politik Platformisasi dan Datafikasi dalam Gig Economy
by: Piers Andreas Noak, et al.
Published: (2024-03-01)

Academia’s gig economy: visiting professors
by: Vance Johnson Lewis
Published: (2025-04-01)

Are Intimate Small Concerts Worth it?
by: Immanuel Mellis
Published: (2020-07-01)

Poor Theatre and Beyond: An Overview of Jerzy Grotowski’s Theatre
by: Tuğba Aygan
Published: (2023-12-01)

Od teatru do telewizji i internetu.  Rzecz o Teatrze Telewizji
by: Agata Rudzińska
Published: (2020-12-01)

Muzyka górą?  Dziesięć wydarzeń teatralnych 2010 roku
by: Jacek Mikołajczyk
Published: (2020-12-01)