On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte
Using specific examples I want to examine the extent to which the schema concept and the Schenkerian concept of hierarchical organized tonal structures may interlock or, at least, illuminate each other. In the first part I compare three 16- to 30-bar pieces by Mozart and Haydn with very similar midd...
Saved in:
Main Author: | Folker Froebe |
---|---|
Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2015-01-01
|
Series: | Zeitschrift der Gesellschaft für Musiktheorie |
Subjects: | |
Online Access: | https://storage.gmth.de/zgmth/pdf/802 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Schemata und Systemcharakter
by: Stefan Rohringer
Published: (2015-01-01) -
»… so kommt es blos darauf an, dass er [die Gänge] gehörig verbinden lerne.«. Anmerkungen zu Johann Gottfried Vierlings Versuch einer Anleitung zum Präludieren
by: Folker Froebe
Published: (2008-01-01) -
Der Begriff der ›Überleitung‹ und die Musik Mozarts. Ein Beitrag zur Theorie der Sonatenhauptsatzform
by: Ulrich Kaiser
Published: (2009-08-01) -
The Gesangleiter in Joseph Riepel’s Baßschlüssel (1786) – First Part
by: Stefan Eckert
Published: (2014-01-01) -
“Du meine Seele, du mein Herz” . Self, Other, and Hermaphroditic Union in the Music of Robert (and Clara) Schumann
by: Benedict Taylor
Published: (2021-12-01)