Caring for Form: Ali Smith and Contemporary Refugee Life-Writing

Refugee life writing draws attention to the actual stories behind the statistics (100 million refugees worldwide, more than 3,000 people drowned while attempting to cross the Mediterranean in 2023 alone) and calls for solidarity across national and ethnic divides. A particularly poignant, but also p...

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Main Author: Miriam Nandi
Format: Article
Language:English
Published: Lodz University Press 2024-12-01
Series:Czytanie Literatury
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Online Access:https://czasopisma.uni.lodz.pl/czytanieliteratury/article/view/24726
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author Miriam Nandi
author_facet Miriam Nandi
author_sort Miriam Nandi
collection DOAJ
description Refugee life writing draws attention to the actual stories behind the statistics (100 million refugees worldwide, more than 3,000 people drowned while attempting to cross the Mediterranean in 2023 alone) and calls for solidarity across national and ethnic divides. A particularly poignant, but also provocative example of such an act of solidarity is the Refugee Tales project, in which established literary authors collaborate with refugees to relate stories of war, flight, loss, and the brutality of asylum systems in the West. This paper explores the ethical dimensions of telling somebody else’s life zooming in on the example of “The Detainee’s Tale as told to Ali Smith.” Unlike many of the other tales, Smith explains the process of visiting and interviewing two refugees trapped in the British asylum system. While the research on the ethics of Refugee Tales has focused on the questions of “trust” (Rupp) and “precarity” (Sandten) of the refugee condition, this article chooses a different path. It suggests that the ethical questions arising in “As-Told-To Life Writing” (Lindemann) remain in the shadow if seen only in terms of authenticity of voice. Instead of scrutinising the authority of the real-world author, it is worth redirecting the attention to the narrative discourse and the specific forms it takes. Drawing on Caroline Levine’s social formalism, the article investigates the interplay between political and aesthetic forms. In this collision of forms, “The Detainee’s Tale” unmasks and contests the inhumane side of the British asylum system, but it also carefully gestures towards possible ethical alternatives. The ethical aspects of Smith’s contribution are best described in terms of a feminist ethics of care, which values the moral salience of recognising and attending to the vulnerability of others (see Held).
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spelling doaj-art-de4f5901516746ec8a56f46a0a8670402025-01-27T14:24:49ZengLodz University PressCzytanie Literatury2299-74582449-83862024-12-0113173710.18778/2299-7458.13.0225296Caring for Form: Ali Smith and Contemporary Refugee Life-WritingMiriam Nandi0https://orcid.org/0009-0005-2350-4409University of LeipzigRefugee life writing draws attention to the actual stories behind the statistics (100 million refugees worldwide, more than 3,000 people drowned while attempting to cross the Mediterranean in 2023 alone) and calls for solidarity across national and ethnic divides. A particularly poignant, but also provocative example of such an act of solidarity is the Refugee Tales project, in which established literary authors collaborate with refugees to relate stories of war, flight, loss, and the brutality of asylum systems in the West. This paper explores the ethical dimensions of telling somebody else’s life zooming in on the example of “The Detainee’s Tale as told to Ali Smith.” Unlike many of the other tales, Smith explains the process of visiting and interviewing two refugees trapped in the British asylum system. While the research on the ethics of Refugee Tales has focused on the questions of “trust” (Rupp) and “precarity” (Sandten) of the refugee condition, this article chooses a different path. It suggests that the ethical questions arising in “As-Told-To Life Writing” (Lindemann) remain in the shadow if seen only in terms of authenticity of voice. Instead of scrutinising the authority of the real-world author, it is worth redirecting the attention to the narrative discourse and the specific forms it takes. Drawing on Caroline Levine’s social formalism, the article investigates the interplay between political and aesthetic forms. In this collision of forms, “The Detainee’s Tale” unmasks and contests the inhumane side of the British asylum system, but it also carefully gestures towards possible ethical alternatives. The ethical aspects of Smith’s contribution are best described in terms of a feminist ethics of care, which values the moral salience of recognising and attending to the vulnerability of others (see Held).https://czasopisma.uni.lodz.pl/czytanieliteratury/article/view/24726refugee life writingali smithcollaborative life writingcarecaroline levinesocial formalism
spellingShingle Miriam Nandi
Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
Czytanie Literatury
refugee life writing
ali smith
collaborative life writing
care
caroline levine
social formalism
title Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
title_full Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
title_fullStr Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
title_full_unstemmed Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
title_short Caring for Form: Ali Smith and Contemporary Refugee Life-Writing
title_sort caring for form ali smith and contemporary refugee life writing
topic refugee life writing
ali smith
collaborative life writing
care
caroline levine
social formalism
url https://czasopisma.uni.lodz.pl/czytanieliteratury/article/view/24726
work_keys_str_mv AT miriamnandi caringforformalismithandcontemporaryrefugeelifewriting