"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi

Though it is not generally considered one of Yeats’s main symbols, the mountain occurs frequently in his poetry, particularly in the last poems. By focusing on “Under Ben Bulben”, Yeats’s concluding poem, and by comparing various mountains in Yeats’s work – Oriental and Western, Italian and Irish –...

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Main Author: Michel Dufour
Format: Article
Language:English
Published: Presses Universitaires du Midi 2008-05-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1149
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author Michel Dufour
author_facet Michel Dufour
author_sort Michel Dufour
collection DOAJ
description Though it is not generally considered one of Yeats’s main symbols, the mountain occurs frequently in his poetry, particularly in the last poems. By focusing on “Under Ben Bulben”, Yeats’s concluding poem, and by comparing various mountains in Yeats’s work – Oriental and Western, Italian and Irish – this article analyses the mountain as the place where the ego encounters a wider psychological dimension, the (Jungian) Self. Minimalist and conceptual, the Yeatsian mountain is reduced to archetypal forms related to the geometry described in A Vision, Yeats’s metaphysical treatise. Rooted in Irish mythology, and rising into a spiritualist ethereal world, the mountain conjoins different symbolic strata, allowing an intellectual and spiritual ascent. The article shows how, by drawing on multiple traditions and unifying them aesthetically into a complex symbol, the poet strives to embody the universal voice of the Self
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spelling doaj-art-ddd00bbcd6f9402c895a4ee0ee2e6e1e2025-01-30T12:33:45ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662008-05-01239310110.4000/caliban.1149"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du SoiMichel DufourThough it is not generally considered one of Yeats’s main symbols, the mountain occurs frequently in his poetry, particularly in the last poems. By focusing on “Under Ben Bulben”, Yeats’s concluding poem, and by comparing various mountains in Yeats’s work – Oriental and Western, Italian and Irish – this article analyses the mountain as the place where the ego encounters a wider psychological dimension, the (Jungian) Self. Minimalist and conceptual, the Yeatsian mountain is reduced to archetypal forms related to the geometry described in A Vision, Yeats’s metaphysical treatise. Rooted in Irish mythology, and rising into a spiritualist ethereal world, the mountain conjoins different symbolic strata, allowing an intellectual and spiritual ascent. The article shows how, by drawing on multiple traditions and unifying them aesthetically into a complex symbol, the poet strives to embody the universal voice of the Selfhttps://journals.openedition.org/acs/1149montagneBen BulbenIrlandeJungYeatscône
spellingShingle Michel Dufour
"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
Anglophonia
montagne
Ben Bulben
Irlande
Jung
Yeats
cône
title "Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
title_full "Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
title_fullStr "Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
title_full_unstemmed "Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
title_short "Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi
title_sort under ben bulben la montagne chez w b yeats ou la rencontre du moi et du soi
topic montagne
Ben Bulben
Irlande
Jung
Yeats
cône
url https://journals.openedition.org/acs/1149
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