O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)

This text consists of an analysis of the temporary exhibition, In the Presence of Things. Four centuries of European Still-Life Painting. Part 2: 19th-20th Centuries (1840-1955), shown in the Exhibition Gallery of the Calouste Gulbenkian Museum headquarters (Lisbon). Deriving from the idea that the...

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Main Author: Joana d’Oliva Monteiro
Format: Article
Language:English
Published: Universidade de Évora 2013-04-01
Series:Midas: Museus e Estudos Interdisciplinares
Subjects:
Online Access:https://journals.openedition.org/midas/119
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author Joana d’Oliva Monteiro
author_facet Joana d’Oliva Monteiro
author_sort Joana d’Oliva Monteiro
collection DOAJ
description This text consists of an analysis of the temporary exhibition, In the Presence of Things. Four centuries of European Still-Life Painting. Part 2: 19th-20th Centuries (1840-1955), shown in the Exhibition Gallery of the Calouste Gulbenkian Museum headquarters (Lisbon). Deriving from the idea that the act of exhibiting involves an overall perception, and the thorough procedures which underlie it, defined as the product of combining conceptual and practical aspects, this approach emphasizes some aspects that mediate this huge and complex path. For this purpose, we have chosen as a background the bibliography published about the display, its cycle of conferences, and the interview with Mariano Piçarra, Calouste Gulbenkian Museum designer and creator of the museographic project contemplated herein.
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spelling doaj-art-dbd34df979b34a3d95e9c9a82c7e4e362025-08-20T02:34:10ZengUniversidade de ÉvoraMidas: Museus e Estudos Interdisciplinares2182-95432013-04-01110.4000/midas.119O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)Joana d’Oliva MonteiroThis text consists of an analysis of the temporary exhibition, In the Presence of Things. Four centuries of European Still-Life Painting. Part 2: 19th-20th Centuries (1840-1955), shown in the Exhibition Gallery of the Calouste Gulbenkian Museum headquarters (Lisbon). Deriving from the idea that the act of exhibiting involves an overall perception, and the thorough procedures which underlie it, defined as the product of combining conceptual and practical aspects, this approach emphasizes some aspects that mediate this huge and complex path. For this purpose, we have chosen as a background the bibliography published about the display, its cycle of conferences, and the interview with Mariano Piçarra, Calouste Gulbenkian Museum designer and creator of the museographic project contemplated herein.https://journals.openedition.org/midas/119museographic discourseexhibition cultureart exhibitionshistory of artexhibition functions
spellingShingle Joana d’Oliva Monteiro
O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
Midas: Museus e Estudos Interdisciplinares
museographic discourse
exhibition culture
art exhibitions
history of art
exhibition functions
title O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
title_full O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
title_fullStr O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
title_full_unstemmed O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
title_short O ato de expor. Breves considerações a propósito d’A Perspectiva das Coisas. A Natureza-Morta na Europa. Segunda parte: séculos XIX-XX (1840-1955)
title_sort o ato de expor breves consideracoes a proposito d a perspectiva das coisas a natureza morta na europa segunda parte seculos xix xx 1840 1955
topic museographic discourse
exhibition culture
art exhibitions
history of art
exhibition functions
url https://journals.openedition.org/midas/119
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