'n Estetika van Televisievermaak

AGAINST the background of the indefinability of entertainment the author postulates a for questions that the researcher could ask in connection with the viewer's aesthetic exparience of television entertainment, par ticularly related to television fiction. The central question is: why and how...

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Main Author: Pieter Jacobus Fourie
Format: Article
Language:English
Published: University of Johannesburg 2022-11-01
Series:Communicare
Subjects:
Online Access:https://journals.uj.ac.za/index.php/jcsa/article/view/2088
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author Pieter Jacobus Fourie
author_facet Pieter Jacobus Fourie
author_sort Pieter Jacobus Fourie
collection DOAJ
description AGAINST the background of the indefinability of entertainment the author postulates a for questions that the researcher could ask in connection with the viewer's aesthetic exparience of television entertainment, par ticularly related to television fiction. The central question is: why and how does television entertain the viewer? This question leads on to the following questions: what is entertainment? The answer is that it is in definable. In the style of Plato the researcher should then ask the following: but what is it that leads the viewer to attach the value "entertainment", which is associated with pleasure and satisfaction, to television fic tion? Possible answer: catharsis due to the ability and needs of the viewer to identify with a make-believe world and characters. What makes this identification possible? Amongst other possibilities specific rhetorical motifs which have always been associated with communication pleasure and which are also present in the content (and forum) of television fiction. Is this the big answer? No. The aesthetic experience of a work (also of television) does not allow it to be described easily.
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spelling doaj-art-db09beb8b6ae49479fa214be797fe6a12025-01-20T08:43:36ZengUniversity of JohannesburgCommunicare0259-00692957-79502022-11-016210.36615/jcsa.v6i2.2088'n Estetika van TelevisievermaakPieter Jacobus Fourie0University of South Africa AGAINST the background of the indefinability of entertainment the author postulates a for questions that the researcher could ask in connection with the viewer's aesthetic exparience of television entertainment, par ticularly related to television fiction. The central question is: why and how does television entertain the viewer? This question leads on to the following questions: what is entertainment? The answer is that it is in definable. In the style of Plato the researcher should then ask the following: but what is it that leads the viewer to attach the value "entertainment", which is associated with pleasure and satisfaction, to television fic tion? Possible answer: catharsis due to the ability and needs of the viewer to identify with a make-believe world and characters. What makes this identification possible? Amongst other possibilities specific rhetorical motifs which have always been associated with communication pleasure and which are also present in the content (and forum) of television fiction. Is this the big answer? No. The aesthetic experience of a work (also of television) does not allow it to be described easily. https://journals.uj.ac.za/index.php/jcsa/article/view/2088indefinability of entertainmenttelevision entertainmenttelevision fictionwhat is entertainment?
spellingShingle Pieter Jacobus Fourie
'n Estetika van Televisievermaak
Communicare
indefinability of entertainment
television entertainment
television fiction
what is entertainment?
title 'n Estetika van Televisievermaak
title_full 'n Estetika van Televisievermaak
title_fullStr 'n Estetika van Televisievermaak
title_full_unstemmed 'n Estetika van Televisievermaak
title_short 'n Estetika van Televisievermaak
title_sort n estetika van televisievermaak
topic indefinability of entertainment
television entertainment
television fiction
what is entertainment?
url https://journals.uj.ac.za/index.php/jcsa/article/view/2088
work_keys_str_mv AT pieterjacobusfourie nestetikavantelevisievermaak