Ombres et transparences, de Vinci aux calques numériques
Shadows, which are a form of imitation, combine contiguity and similarity. Sfumato as recommended by Leonardo, shadows ‘explaining’ objects according to Hogarth, entail contextualisation; they imply partial transparency, still required in digital image settings. Optical devices have since the Renais...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2012-01-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/2788 |
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