Adam Mickiewicz in Search of Lithuanian National Identity

Adam Mickiewicz’s multicultural national identity, based on his claim Sum gente lituanus, natione autem polonus, was created over the several centuries that followed the Lithuanian Grand Duchy’s formation of the union with the Polish kingdom. Thus, it is no surprise that his reception in the litera...

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Main Author: Aušra Jurgutienė
Format: Article
Language:deu
Published: University of Tartu Press 2023-12-01
Series:Interlitteraria
Subjects:
Online Access:https://ojs.utlib.ee/index.php/IL/article/view/23514
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author Aušra Jurgutienė
author_facet Aušra Jurgutienė
author_sort Aušra Jurgutienė
collection DOAJ
description Adam Mickiewicz’s multicultural national identity, based on his claim Sum gente lituanus, natione autem polonus, was created over the several centuries that followed the Lithuanian Grand Duchy’s formation of the union with the Polish kingdom. Thus, it is no surprise that his reception in the literatures of these respective countries became so complicated. It was not only the Lithuanians and Poles who strayed into fruitless arguments as to which country could lay more claim to him, but disputes also constantly arose even within the relevant societies: did he belong to their national literature or was he foreign to it? In Lithuania two alternative traditions of reception formed: one faction (Jonas Basanavičius, Jonas Aistis, Faustas Kirša) erased him from Lithuanian culture and national identity, the same way as it treated all of the Polonised Lithuanian nobility; while others (Antanas Baranauskas, Maironis, Motiejus Gustaitis, Sofija Kymantaitė-Čiurlionienė, Vincas Krėvė, Stasys Šalkauskis, Vincas Mykolaitis-Putinas, Julijonas Lindė-Dobilas, Antanas Maceina, Petras Juodelis, Justinas Marcinkevičius, Vytautas Kubilius, etc.), supported a positive reception, honouring him as “a genius of the Lithuanian spirit”. The article will demonstrate the impact of Mickiewicz’s poetry on the conceptions of Lithuanian national identity presented by two Lithuanian cultural philosophers, Šalkauskis and Maceina, and will briefly discuss its more significant variations in Lithuanian romantic and neo-romantic literature. Referencing Mickiewicz’s work reveals qualities of mysticism, syntheticism and Prometheanism in Lithuanian literature and in the concept of national identity itself. The problem of Mickiewicz as foreign to Lithuanians (being foreign in some aspects to Poles as well) and his incompatibility with any notions of ‘purity’ of national identity at this time encourages one to delve into varied regional cultural relationships and the openness and complications of national identity more deeply.
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spelling doaj-art-d8ccc41b695b48cfb0768c23edf582982025-01-28T09:18:56ZdeuUniversity of Tartu PressInterlitteraria1406-07012228-47292023-12-0128210.12697/IL.2023.28.2.3Adam Mickiewicz in Search of Lithuanian National IdentityAušra Jurgutienė0Institute of Lithuanian Literature and Folklore Adam Mickiewicz’s multicultural national identity, based on his claim Sum gente lituanus, natione autem polonus, was created over the several centuries that followed the Lithuanian Grand Duchy’s formation of the union with the Polish kingdom. Thus, it is no surprise that his reception in the literatures of these respective countries became so complicated. It was not only the Lithuanians and Poles who strayed into fruitless arguments as to which country could lay more claim to him, but disputes also constantly arose even within the relevant societies: did he belong to their national literature or was he foreign to it? In Lithuania two alternative traditions of reception formed: one faction (Jonas Basanavičius, Jonas Aistis, Faustas Kirša) erased him from Lithuanian culture and national identity, the same way as it treated all of the Polonised Lithuanian nobility; while others (Antanas Baranauskas, Maironis, Motiejus Gustaitis, Sofija Kymantaitė-Čiurlionienė, Vincas Krėvė, Stasys Šalkauskis, Vincas Mykolaitis-Putinas, Julijonas Lindė-Dobilas, Antanas Maceina, Petras Juodelis, Justinas Marcinkevičius, Vytautas Kubilius, etc.), supported a positive reception, honouring him as “a genius of the Lithuanian spirit”. The article will demonstrate the impact of Mickiewicz’s poetry on the conceptions of Lithuanian national identity presented by two Lithuanian cultural philosophers, Šalkauskis and Maceina, and will briefly discuss its more significant variations in Lithuanian romantic and neo-romantic literature. Referencing Mickiewicz’s work reveals qualities of mysticism, syntheticism and Prometheanism in Lithuanian literature and in the concept of national identity itself. The problem of Mickiewicz as foreign to Lithuanians (being foreign in some aspects to Poles as well) and his incompatibility with any notions of ‘purity’ of national identity at this time encourages one to delve into varied regional cultural relationships and the openness and complications of national identity more deeply. https://ojs.utlib.ee/index.php/IL/article/view/23514national identityneo-romanticismcultural philosophythe concept of Promethean culturethe conception of an East–West synthesis
spellingShingle Aušra Jurgutienė
Adam Mickiewicz in Search of Lithuanian National Identity
Interlitteraria
national identity
neo-romanticism
cultural philosophy
the concept of Promethean culture
the conception of an East–West synthesis
title Adam Mickiewicz in Search of Lithuanian National Identity
title_full Adam Mickiewicz in Search of Lithuanian National Identity
title_fullStr Adam Mickiewicz in Search of Lithuanian National Identity
title_full_unstemmed Adam Mickiewicz in Search of Lithuanian National Identity
title_short Adam Mickiewicz in Search of Lithuanian National Identity
title_sort adam mickiewicz in search of lithuanian national identity
topic national identity
neo-romanticism
cultural philosophy
the concept of Promethean culture
the conception of an East–West synthesis
url https://ojs.utlib.ee/index.php/IL/article/view/23514
work_keys_str_mv AT ausrajurgutiene adammickiewiczinsearchoflithuaniannationalidentity