L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan
The Euormaidan’s photos are known all around the world; this event has been described through a myriad of photos and videos. Throughout the exploration and analysis of the major Russian and Ukrainian journals’ websites, online TVs, social networks and blogs, we have gathered a large amount of visua...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
CLUEB
2016-05-01
|
| Series: | EtnoAntropologia |
| Subjects: | |
| Online Access: | https://rivisteclueb.it/index.php/etnoantropologia/article/view/186 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832542544472309760 |
|---|---|
| author | Tamara Mykhaylyak |
| author_facet | Tamara Mykhaylyak |
| author_sort | Tamara Mykhaylyak |
| collection | DOAJ |
| description | The Euormaidan’s photos are known all around the world; this event has been described through a myriad of photos and videos. Throughout the exploration and analysis of the major Russian and Ukrainian journals’ websites, online TVs, social networks and blogs, we have gathered a large amount of visual documents. Intentionally we focused on the images produced by the protesters and the journalists that supported the protest. We decided to divide the analyzed photos into four categories: conflict, pain, memory and symbols. These categories reveal specific investments made on the photos, roles and functions bestowed to them with the purpose of bolster and strengthen the Euromaidan’s themes. |
| format | Article |
| id | doaj-art-d85b5d9595f441a1914141ef73cc777c |
| institution | Kabale University |
| issn | 2284-0176 |
| language | English |
| publishDate | 2016-05-01 |
| publisher | CLUEB |
| record_format | Article |
| series | EtnoAntropologia |
| spelling | doaj-art-d85b5d9595f441a1914141ef73cc777c2025-02-04T03:45:10ZengCLUEBEtnoAntropologia2284-01762016-05-0132L’immagine come arma. Il ruolo delle fotografie nella protesta di EuromaidanTamara Mykhaylyak0Università degli Studi di Napoli Federico IIThe Euormaidan’s photos are known all around the world; this event has been described through a myriad of photos and videos. Throughout the exploration and analysis of the major Russian and Ukrainian journals’ websites, online TVs, social networks and blogs, we have gathered a large amount of visual documents. Intentionally we focused on the images produced by the protesters and the journalists that supported the protest. We decided to divide the analyzed photos into four categories: conflict, pain, memory and symbols. These categories reveal specific investments made on the photos, roles and functions bestowed to them with the purpose of bolster and strengthen the Euromaidan’s themes.https://rivisteclueb.it/index.php/etnoantropologia/article/view/186Euromaidanphotographypropagandamass mediasymbols |
| spellingShingle | Tamara Mykhaylyak L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan EtnoAntropologia Euromaidan photography propaganda mass media symbols |
| title | L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan |
| title_full | L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan |
| title_fullStr | L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan |
| title_full_unstemmed | L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan |
| title_short | L’immagine come arma. Il ruolo delle fotografie nella protesta di Euromaidan |
| title_sort | l immagine come arma il ruolo delle fotografie nella protesta di euromaidan |
| topic | Euromaidan photography propaganda mass media symbols |
| url | https://rivisteclueb.it/index.php/etnoantropologia/article/view/186 |
| work_keys_str_mv | AT tamaramykhaylyak limmaginecomearmailruolodellefotografienellaprotestadieuromaidan |