La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux

The Years (1937), a novel by Virginia Woolf, and Les Années (2008), a non-fiction book by Annie Ernaux, are two ways of a feminine writing of history, written by and through the mind and experience of particular women. This history of the nineteenth, twentieth and twenty-first centuries is written w...

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Main Author: Suzel Meyer
Format: Article
Language:fra
Published: Association Genres, sexualités, langage 2022-07-01
Series:Glad!
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Online Access:https://journals.openedition.org/glad/4977
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author Suzel Meyer
author_facet Suzel Meyer
author_sort Suzel Meyer
collection DOAJ
description The Years (1937), a novel by Virginia Woolf, and Les Années (2008), a non-fiction book by Annie Ernaux, are two ways of a feminine writing of history, written by and through the mind and experience of particular women. This history of the nineteenth, twentieth and twenty-first centuries is written with many allusions, quotations, cultural and historical references. This writing « in rhizomes » or rather in constellations shows the feminine et feminist culture of the authors and their partly autobiographical texts, and contributes to their feminist stance. By revealing the heritage that formed the woman, the author et the book, feminist thought informs their situated way of writing the world. The practice of quotation allows authors to be part of a cultural history, to think about the writing of herstory, and to contribute to building a feminist memory in literature. Constellations writing thus nourishes both literary practice and feminist thought.
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spelling doaj-art-d827ad2d0aa0432293ff2889161b47282025-01-30T10:37:43ZfraAssociation Genres, sexualités, langageGlad!2551-08192022-07-011210.4000/glad.4977La constellation comme pratique créatrice chez Virginia Woolf et Annie ErnauxSuzel MeyerThe Years (1937), a novel by Virginia Woolf, and Les Années (2008), a non-fiction book by Annie Ernaux, are two ways of a feminine writing of history, written by and through the mind and experience of particular women. This history of the nineteenth, twentieth and twenty-first centuries is written with many allusions, quotations, cultural and historical references. This writing « in rhizomes » or rather in constellations shows the feminine et feminist culture of the authors and their partly autobiographical texts, and contributes to their feminist stance. By revealing the heritage that formed the woman, the author et the book, feminist thought informs their situated way of writing the world. The practice of quotation allows authors to be part of a cultural history, to think about the writing of herstory, and to contribute to building a feminist memory in literature. Constellations writing thus nourishes both literary practice and feminist thought.https://journals.openedition.org/glad/4977feminismliteratureVirginia WoolfAnnie Ernauxheritage
spellingShingle Suzel Meyer
La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
Glad!
feminism
literature
Virginia Woolf
Annie Ernaux
heritage
title La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
title_full La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
title_fullStr La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
title_full_unstemmed La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
title_short La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
title_sort la constellation comme pratique creatrice chez virginia woolf et annie ernaux
topic feminism
literature
Virginia Woolf
Annie Ernaux
heritage
url https://journals.openedition.org/glad/4977
work_keys_str_mv AT suzelmeyer laconstellationcommepratiquecreatricechezvirginiawoolfetannieernaux