Arrêt sur image et premier plan absolu dans les poèmes homériques de Michael Longley
This article aims at analysing the ways in which Michael Longley, in his poems inspired from the Odyssey, freeze frames the Homeric narrative and replaces it with a present out of time, extracted from the epic sweep. By frequently choosing scenes of recognition, as in the poems “Anticleia”, “Eurycle...
Saved in:
| Main Author: | Melanie White |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2014-06-01
|
| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/6001 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
La voix d’Hélène dans l’épopée homérique : fiction et tradition
by: Sylvie Perceau
Published: (2012-05-01) -
Le héros comme un loup : usage platonicien d’une comparaison homérique
by: David Bouvier
Published: (2015-05-01) -
Review: Jonathan L. Ready (ed.) (2024). Oxford critical guide to Homer’s Iliad. Oxford: OUP.
by: Wayne Rimmer
Published: (2024-12-01) -
Les Nymphes entre maternité et courotrophie dans les Hymnes homériques
by: Sébastien Dalmon
Published: (2015-01-01) -
In Memoriam: Michael Burawoy
by: David Stark
Published: (2025-05-01)