(Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad

The melodramatic genre gestures towards the expression of a morally and emotionally legible world (Peter Brooks). Robert Montgomery Bird’s The Gladiator (1831) and Robert Conrad’s Jack Cade (1841)—two plays that were awarded the Edwin Forrest Prize—are no exception and champion a democratic and patr...

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Main Author: Ronan Ludot-Vlasak
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2020-07-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/14431
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author Ronan Ludot-Vlasak
author_facet Ronan Ludot-Vlasak
author_sort Ronan Ludot-Vlasak
collection DOAJ
description The melodramatic genre gestures towards the expression of a morally and emotionally legible world (Peter Brooks). Robert Montgomery Bird’s The Gladiator (1831) and Robert Conrad’s Jack Cade (1841)—two plays that were awarded the Edwin Forrest Prize—are no exception and champion a democratic and patriarchal ethos that echoes the political ideal fostered by Andrew Jackson. Yet the conflicting temporalities at work in both plays problematize the teleological impulse that informs their revisiting of European history and undermine the possibility to venture a coherent typological interpretation of them.
format Article
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issn 1765-2766
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spelling doaj-art-d4aa4e461dfe41388a56bc95c4138eb32025-01-30T10:45:38ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662020-07-01110.4000/transatlantica.14431(Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert ConradRonan Ludot-VlasakThe melodramatic genre gestures towards the expression of a morally and emotionally legible world (Peter Brooks). Robert Montgomery Bird’s The Gladiator (1831) and Robert Conrad’s Jack Cade (1841)—two plays that were awarded the Edwin Forrest Prize—are no exception and champion a democratic and patriarchal ethos that echoes the political ideal fostered by Andrew Jackson. Yet the conflicting temporalities at work in both plays problematize the teleological impulse that informs their revisiting of European history and undermine the possibility to venture a coherent typological interpretation of them.https://journals.openedition.org/transatlantica/14431slaverynineteenth centuryAmerican melodramaBird (Robert Montgomery)Gladiator (The)Conrad (Robert)
spellingShingle Ronan Ludot-Vlasak
(Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
Transatlantica
slavery
nineteenth century
American melodrama
Bird (Robert Montgomery)
Gladiator (The)
Conrad (Robert)
title (Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
title_full (Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
title_fullStr (Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
title_full_unstemmed (Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
title_short (Il)lisibilité du mélodrame américain au xixe siècle : The Gladiator (1831) de Robert Montgomery Bird et Jack Cade (1841) de Robert Conrad
title_sort il lisibilite du melodrame americain au xixe siecle the gladiator 1831 de robert montgomery bird et jack cade 1841 de robert conrad
topic slavery
nineteenth century
American melodrama
Bird (Robert Montgomery)
Gladiator (The)
Conrad (Robert)
url https://journals.openedition.org/transatlantica/14431
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