Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal
The purpose of this article is to explore the evolving iconography of Saint James the Greater, as a pilgrim, in medieval votive sculpture in Portugal. The first part of the text focuses on the origins of this figuration in an Iberian context, taking into account two lines of influence: the iconograp...
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Format: | Article |
Language: | deu |
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Instituto de Estudos Medievais
2012-06-01
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Series: | Medievalista |
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Online Access: | https://journals.openedition.org/medievalista/624 |
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author | Begoña Farré Torras |
author_facet | Begoña Farré Torras |
author_sort | Begoña Farré Torras |
collection | DOAJ |
description | The purpose of this article is to explore the evolving iconography of Saint James the Greater, as a pilgrim, in medieval votive sculpture in Portugal. The first part of the text focuses on the origins of this figuration in an Iberian context, taking into account two lines of influence: the iconography of Christ himself as a pilgrim, and popular imagery. The study then proceeds to the serial analysis of a corpus of devotional images in order to trace their evolution in Portugal between the 14th and the 16th centuries, and concludes by reflecting on the symbolic values implicit in this kind of figuration. |
format | Article |
id | doaj-art-d2a8de06ac7341e88471a86ab2077042 |
institution | Kabale University |
issn | 1646-740X |
language | deu |
publishDate | 2012-06-01 |
publisher | Instituto de Estudos Medievais |
record_format | Article |
series | Medievalista |
spelling | doaj-art-d2a8de06ac7341e88471a86ab20770422025-01-30T10:52:30ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2012-06-011210.4000/medievalista.624Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em PortugalBegoña Farré TorrasThe purpose of this article is to explore the evolving iconography of Saint James the Greater, as a pilgrim, in medieval votive sculpture in Portugal. The first part of the text focuses on the origins of this figuration in an Iberian context, taking into account two lines of influence: the iconography of Christ himself as a pilgrim, and popular imagery. The study then proceeds to the serial analysis of a corpus of devotional images in order to trace their evolution in Portugal between the 14th and the 16th centuries, and concludes by reflecting on the symbolic values implicit in this kind of figuration.https://journals.openedition.org/medievalista/624iconographySaint Jamespilgrimscallophospitalitydevotional image |
spellingShingle | Begoña Farré Torras Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal Medievalista iconography Saint James pilgrim scallop hospitality devotional image |
title | Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal |
title_full | Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal |
title_fullStr | Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal |
title_full_unstemmed | Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal |
title_short | Do apóstolo ao peregrino: a iconografia de São Tiago na escultura devocional medieval em Portugal |
title_sort | do apostolo ao peregrino a iconografia de sao tiago na escultura devocional medieval em portugal |
topic | iconography Saint James pilgrim scallop hospitality devotional image |
url | https://journals.openedition.org/medievalista/624 |
work_keys_str_mv | AT begonafarretorras doapostoloaoperegrinoaiconografiadesaotiagonaesculturadevocionalmedievalemportugal |