Ecosystem [512]: Acoustic Ecology Surveys as Music

Acoustic ecology is a rapidly expanding discipline which can reveal details about ecosystems that are not visually apparent, and field recording has been used in an increasing variety of ways in music compositions, opening the door to collaborative projects that walk the line between science and ar...

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Main Author: Garrison Gerard
Format: Article
Language:English
Published: Universidade Estadual do Paraná 2024-12-01
Series:Revista Vortex
Subjects:
Online Access:https://periodicos.unespar.edu.br/vortex/article/view/9521
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author Garrison Gerard
author_facet Garrison Gerard
author_sort Garrison Gerard
collection DOAJ
description Acoustic ecology is a rapidly expanding discipline which can reveal details about ecosystems that are not visually apparent, and field recording has been used in an increasing variety of ways in music compositions, opening the door to collaborative projects that walk the line between science and art. Ecosystem [512] is rooted in acoustic surveys that I carried out over nine months in Iceland’s National Parks. These surveys provided more than 10,000 hours of recordings that are processed, compressed, combined, and analyzed before being used as the fundamental material for a music composition for electronics and clarinet. The piece uses multiple strategies such as algorithmic composition to handle the transition from rough acoustic survey recordings to final music product. The process of composing this piece reveal insights about both acoustic ecology processes and music composition considerations.
format Article
id doaj-art-cfcdabd4d27c4750b35df47e7e03384d
institution OA Journals
issn 2317-9937
language English
publishDate 2024-12-01
publisher Universidade Estadual do Paraná
record_format Article
series Revista Vortex
spelling doaj-art-cfcdabd4d27c4750b35df47e7e03384d2025-08-20T02:36:03ZengUniversidade Estadual do ParanáRevista Vortex2317-99372024-12-011210.33871/vortex.2024.12.9521Ecosystem [512]: Acoustic Ecology Surveys as MusicGarrison Gerard0https://orcid.org/0000-0002-2790-5243University of North Carolina, Pembroke, USA Acoustic ecology is a rapidly expanding discipline which can reveal details about ecosystems that are not visually apparent, and field recording has been used in an increasing variety of ways in music compositions, opening the door to collaborative projects that walk the line between science and art. Ecosystem [512] is rooted in acoustic surveys that I carried out over nine months in Iceland’s National Parks. These surveys provided more than 10,000 hours of recordings that are processed, compressed, combined, and analyzed before being used as the fundamental material for a music composition for electronics and clarinet. The piece uses multiple strategies such as algorithmic composition to handle the transition from rough acoustic survey recordings to final music product. The process of composing this piece reveal insights about both acoustic ecology processes and music composition considerations. https://periodicos.unespar.edu.br/vortex/article/view/9521Music CompositionAcoustic EcologyElectro-acousticBioacousticsField Recording
spellingShingle Garrison Gerard
Ecosystem [512]: Acoustic Ecology Surveys as Music
Revista Vortex
Music Composition
Acoustic Ecology
Electro-acoustic
Bioacoustics
Field Recording
title Ecosystem [512]: Acoustic Ecology Surveys as Music
title_full Ecosystem [512]: Acoustic Ecology Surveys as Music
title_fullStr Ecosystem [512]: Acoustic Ecology Surveys as Music
title_full_unstemmed Ecosystem [512]: Acoustic Ecology Surveys as Music
title_short Ecosystem [512]: Acoustic Ecology Surveys as Music
title_sort ecosystem 512 acoustic ecology surveys as music
topic Music Composition
Acoustic Ecology
Electro-acoustic
Bioacoustics
Field Recording
url https://periodicos.unespar.edu.br/vortex/article/view/9521
work_keys_str_mv AT garrisongerard ecosystem512acousticecologysurveysasmusic