ARCHAEOLOGICAL, ARCHITECTURAL AND VEGETAL METAPHORS OF POSTCOLONIAL BRITISH IDENTITY IN V. S. NAIPAUL’S THE ENIGMA OF ARRIVAL

V. S. Naipaul’s The Enigma of Arrival is a classic postcolonial autobiography, mapping out the geographical and cultural journey of the postcolonial migrant towards the mythologized centre of civilization, the imperial metropolis. In his Wordsworthian contemplation of rural England as a utopian site...

Full description

Saved in:
Bibliographic Details
Main Author: Dr. Angela STĂNESCU
Format: Article
Language:deu
Published: Editura Muzeul National al Literaturii Romane 2012-11-01
Series:Diversitate si Identitate Culturala in Europa
Subjects:
Online Access:http://www.diversite.eu/pdf/09_2/DICE_09.2_Full_Text_p61-p76-Angela-STANESCU.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:V. S. Naipaul’s The Enigma of Arrival is a classic postcolonial autobiography, mapping out the geographical and cultural journey of the postcolonial migrant towards the mythologized centre of civilization, the imperial metropolis. In his Wordsworthian contemplation of rural England as a utopian site of natural, historical and cultural ‘piety’, Naipaul retraces the inscriptions of a teleological myth of Englishness underlying the grand historical narrative of the Empire and the utopian imagination of the colonial subject’s mindscape. The present paper examines Naipaul’s deployment of the symbolical valences of English archaeological sites, of architectural and garden landscapes in rewriting his own, as well as Britain’s, postcolonial identity. The analysis highlights the historical and ideological significations of the consistent architectural and vegetal conceits of imperial glory and decay, informing this highly poeticised enactment of the colonial migrant’s repositioning in the changing cultural landscape of post-imperial Britain.
ISSN:2067-0931