Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence

This article focuses on three contemporary novels that are emblematic of the canon of the contemporary London novel: Peter Ackroyd’s Hawksmoor, Michael Moorcock’s Mother London and Iain Sinclair’s White Chappell, Scarlet Tracings. Its theoretical concern is with the figures of adjacency as evinced i...

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Main Author: Jean-Michel Ganteau
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1492
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author Jean-Michel Ganteau
author_facet Jean-Michel Ganteau
author_sort Jean-Michel Ganteau
collection DOAJ
description This article focuses on three contemporary novels that are emblematic of the canon of the contemporary London novel: Peter Ackroyd’s Hawksmoor, Michael Moorcock’s Mother London and Iain Sinclair’s White Chappell, Scarlet Tracings. Its theoretical concern is with the figures of adjacency as evinced in the corpus which promotes layering and fragmentation and, whose purpose seems to fragment the better to relate. More specifically, taking its lead from Agamben, it concentrates on the interstices between the fragments which are the figures of adjacency proper as they allow for the irruption of a visionary presentation not incompatible with the workings of a negative presentation of the sublime type. In the end, despite their semiotically saturated, simulation prone surfaces, those texts accommodate the possibility of epiphany. One step further, they favour a vision of adjacency as a figure of proximity and exteriority, in the Levinasian meaning of the term, hence a heterological vision of the city.
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spelling doaj-art-ceeab9396a474173b48d8fc5ccc4ad512025-01-30T12:34:04ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-012510911810.4000/caliban.1492Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacenceJean-Michel GanteauThis article focuses on three contemporary novels that are emblematic of the canon of the contemporary London novel: Peter Ackroyd’s Hawksmoor, Michael Moorcock’s Mother London and Iain Sinclair’s White Chappell, Scarlet Tracings. Its theoretical concern is with the figures of adjacency as evinced in the corpus which promotes layering and fragmentation and, whose purpose seems to fragment the better to relate. More specifically, taking its lead from Agamben, it concentrates on the interstices between the fragments which are the figures of adjacency proper as they allow for the irruption of a visionary presentation not incompatible with the workings of a negative presentation of the sublime type. In the end, despite their semiotically saturated, simulation prone surfaces, those texts accommodate the possibility of epiphany. One step further, they favour a vision of adjacency as a figure of proximity and exteriority, in the Levinasian meaning of the term, hence a heterological vision of the city.https://journals.openedition.org/acs/1492sublimecontiguïtéfragmentationéthiquerelationproximité
spellingShingle Jean-Michel Ganteau
Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
Anglophonia
sublime
contiguïté
fragmentation
éthique
relation
proximité
title Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
title_full Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
title_fullStr Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
title_full_unstemmed Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
title_short Présentations de Londres : Ackroyd, Moorcock, Sinclair et l’éthique de l’adjacence
title_sort presentations de londres ackroyd moorcock sinclair et l ethique de l adjacence
topic sublime
contiguïté
fragmentation
éthique
relation
proximité
url https://journals.openedition.org/acs/1492
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