Spécificités de la conservation muséale de fragments d'environnements d'art brut
This study is about sculptures coming from an outsider art environment in Normandy, now conserved in the LaM. The study pointed out specific conservation issues linked to this type of spontaneous creation and particularly to objects that were museified after a site’s destruction. Prior to the restor...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2016-02-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/4877 |
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| _version_ | 1832578134213394432 |
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| author | Mélanie Paul-Hazard |
| author_facet | Mélanie Paul-Hazard |
| author_sort | Mélanie Paul-Hazard |
| collection | DOAJ |
| description | This study is about sculptures coming from an outsider art environment in Normandy, now conserved in the LaM. The study pointed out specific conservation issues linked to this type of spontaneous creation and particularly to objects that were museified after a site’s destruction. Prior to the restoration, we carried out an documentary work on A. Hardy as well as a detailed material study of one sculpture, completed with a reflection about its outdoor exhibition. |
| format | Article |
| id | doaj-art-cd3d1cf1d122432abdc039de0f77c252 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2016-02-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-cd3d1cf1d122432abdc039de0f77c2522025-01-30T14:13:17ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922016-02-01510.4000/ceroart.4877Spécificités de la conservation muséale de fragments d'environnements d'art brutMélanie Paul-HazardThis study is about sculptures coming from an outsider art environment in Normandy, now conserved in the LaM. The study pointed out specific conservation issues linked to this type of spontaneous creation and particularly to objects that were museified after a site’s destruction. Prior to the restoration, we carried out an documentary work on A. Hardy as well as a detailed material study of one sculpture, completed with a reflection about its outdoor exhibition.https://journals.openedition.org/ceroart/4877documentationenvironmentoutsider artoutsidepainted concretemuseification |
| spellingShingle | Mélanie Paul-Hazard Spécificités de la conservation muséale de fragments d'environnements d'art brut CeROArt : Conservation, Exposition, Restauration d'Objets d'Art documentation environment outsider art outside painted concrete museification |
| title | Spécificités de la conservation muséale de fragments d'environnements d'art brut |
| title_full | Spécificités de la conservation muséale de fragments d'environnements d'art brut |
| title_fullStr | Spécificités de la conservation muséale de fragments d'environnements d'art brut |
| title_full_unstemmed | Spécificités de la conservation muséale de fragments d'environnements d'art brut |
| title_short | Spécificités de la conservation muséale de fragments d'environnements d'art brut |
| title_sort | specificites de la conservation museale de fragments d environnements d art brut |
| topic | documentation environment outsider art outside painted concrete museification |
| url | https://journals.openedition.org/ceroart/4877 |
| work_keys_str_mv | AT melaniepaulhazard specificitesdelaconservationmusealedefragmentsdenvironnementsdartbrut |