Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
In Italian and foreign anthropological research with a positivist imprinting, photography is conceived as a device to make up for the documenting limitations of language: it is understood that nothing better than the image made scientifically “credible” by the optic and mechanic instrument that crea...
Saved in:
Main Author: | Alberto Baldi |
---|---|
Format: | Article |
Language: | English |
Published: |
CLUEB
2017-03-01
|
Series: | EtnoAntropologia |
Subjects: | |
Online Access: | https://rivisteclueb.it/index.php/etnoantropologia/article/view/208 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Trans-formation : FT* & MT*, 2010-2013
by: Hélène Mourrier, et al.
Published: (2016-11-01) -
Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
by: Maria da Conceição Francisca Pires, et al.
Published: (2016-01-01) -
Illustrating Victorian Poetry: The Dynamics of Photographic Tableaux Vivants
by: Gwendoline Koudinoff
Published: (2019-06-01) -
Raconter l’Amérique pendant l’ère progressiste : photographies documentaires et films muets
by: Clémentine Tholas-Disset
Published: (2015-03-01) -
Space Project SEE for Measuring G and its Possible Spatial and Time Variations
by: Vitaly N. Melnikov, et al.
Published: (2001-01-01)