Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo

In Italian and foreign anthropological research with a positivist imprinting, photography is conceived as a device to make up for the documenting limitations of language: it is understood that nothing better than the image made scientifically “credible” by the optic and mechanic instrument that crea...

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Main Author: Alberto Baldi
Format: Article
Language:English
Published: CLUEB 2017-03-01
Series:EtnoAntropologia
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Online Access:https://rivisteclueb.it/index.php/etnoantropologia/article/view/208
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author Alberto Baldi
author_facet Alberto Baldi
author_sort Alberto Baldi
collection DOAJ
description In Italian and foreign anthropological research with a positivist imprinting, photography is conceived as a device to make up for the documenting limitations of language: it is understood that nothing better than the image made scientifically “credible” by the optic and mechanic instrument that creates it can faithfully reproduce the analyzed human gatherings. Natural and colonized environments, people, faces, working activities, handiwork, celebrative uses, everything is captured by the researcher’s lens, in accordance with his /her possessive bulimia of documentation. The picture is therefore far away from its alleged aseptic nature and therefore forcefully enters into the dyadic relationship between the photographer and the photographed subject in a complex game of dependences, subservience, arrogance, reciprocal individual gains that end up in enlarging and above all distorting the documentation purposes and outcomes that we try to mark out within this contribution. 
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series EtnoAntropologia
spelling doaj-art-ccef919a8ac2433eb92c8f90966bb0822025-02-04T03:45:07ZengCLUEBEtnoAntropologia2284-01762017-03-0141Ipse vidit: fotografia antropologica ottocentesca e possesso del mondoAlberto Baldi0Dipartimento di Scienze Sociali – Università di Napoli Federico IIIn Italian and foreign anthropological research with a positivist imprinting, photography is conceived as a device to make up for the documenting limitations of language: it is understood that nothing better than the image made scientifically “credible” by the optic and mechanic instrument that creates it can faithfully reproduce the analyzed human gatherings. Natural and colonized environments, people, faces, working activities, handiwork, celebrative uses, everything is captured by the researcher’s lens, in accordance with his /her possessive bulimia of documentation. The picture is therefore far away from its alleged aseptic nature and therefore forcefully enters into the dyadic relationship between the photographer and the photographed subject in a complex game of dependences, subservience, arrogance, reciprocal individual gains that end up in enlarging and above all distorting the documentation purposes and outcomes that we try to mark out within this contribution.  https://rivisteclueb.it/index.php/etnoantropologia/article/view/208Looking at something-seeing somethingobservingpictures notebookrelational photography
spellingShingle Alberto Baldi
Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
EtnoAntropologia
Looking at something-seeing something
observing
pictures notebook
relational photography
title Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
title_full Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
title_fullStr Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
title_full_unstemmed Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
title_short Ipse vidit: fotografia antropologica ottocentesca e possesso del mondo
title_sort ipse vidit fotografia antropologica ottocentesca e possesso del mondo
topic Looking at something-seeing something
observing
pictures notebook
relational photography
url https://rivisteclueb.it/index.php/etnoantropologia/article/view/208
work_keys_str_mv AT albertobaldi ipseviditfotografiaantropologicaottocentescaepossessodelmondo