A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me

The thesis project concerned the interdisciplinary study and the conservation treatment of Sarah Lucas’ papier-mâché sculpture Love Me, owned by the Sandretto Re Rebaudengo Foundation (Turin). The sculpture suffered mainly from structural damages caused by external factors such as several transports...

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Main Author: Fabiola Rocco
Format: Article
Language:English
Published: Association CeROArt 2018-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/5248
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author Fabiola Rocco
author_facet Fabiola Rocco
author_sort Fabiola Rocco
collection DOAJ
description The thesis project concerned the interdisciplinary study and the conservation treatment of Sarah Lucas’ papier-mâché sculpture Love Me, owned by the Sandretto Re Rebaudengo Foundation (Turin). The sculpture suffered mainly from structural damages caused by external factors such as several transports, ingrained surface dirt and previous conservation treatments made with inappropriate materials. The dialogue with the artist was necessary and helpful to understand the artist’s intention and the meaning of the oeuvre, in order to perform a conscious conservation treatment.
format Article
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institution Kabale University
issn 1784-5092
language English
publishDate 2018-03-01
publisher Association CeROArt
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-cc2fee49b63a481b821591b4c94da2122025-01-30T14:13:21ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922018-03-01610.4000/ceroart.5248A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love MeFabiola RoccoThe thesis project concerned the interdisciplinary study and the conservation treatment of Sarah Lucas’ papier-mâché sculpture Love Me, owned by the Sandretto Re Rebaudengo Foundation (Turin). The sculpture suffered mainly from structural damages caused by external factors such as several transports, ingrained surface dirt and previous conservation treatments made with inappropriate materials. The dialogue with the artist was necessary and helpful to understand the artist’s intention and the meaning of the oeuvre, in order to perform a conscious conservation treatment.https://journals.openedition.org/ceroart/5248conservationcontemporary artsculptureSarah Lucaspapier-mâché
spellingShingle Fabiola Rocco
A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
conservation
contemporary art
sculpture
Sarah Lucas
papier-mâché
title A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
title_full A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
title_fullStr A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
title_full_unstemmed A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
title_short A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me
title_sort multisciplinary approach to the study and conservation of the contemporary sarah lucas papier mache sculpture love me
topic conservation
contemporary art
sculpture
Sarah Lucas
papier-mâché
url https://journals.openedition.org/ceroart/5248
work_keys_str_mv AT fabiolarocco amultisciplinaryapproachtothestudyandconservationofthecontemporarysarahlucaspapiermachesculptureloveme
AT fabiolarocco multisciplinaryapproachtothestudyandconservationofthecontemporarysarahlucaspapiermachesculptureloveme