Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis

Published in 1994, The Informers is a collection of thirteen short stories which aim to explore the various facets of a certain Los Angeles social microcosm in the nineteen-eighties.The first-person narration, based on a deliberately minimalist paratactic structure which involves recurrent snatches...

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Main Author: Nathalie Vincent-Arnaud
Format: Article
Language:English
Published: Presses Universitaires du Midi 2006-06-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/2407
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author Nathalie Vincent-Arnaud
author_facet Nathalie Vincent-Arnaud
author_sort Nathalie Vincent-Arnaud
collection DOAJ
description Published in 1994, The Informers is a collection of thirteen short stories which aim to explore the various facets of a certain Los Angeles social microcosm in the nineteen-eighties.The first-person narration, based on a deliberately minimalist paratactic structure which involves recurrent snatches of dialogue, moves through an endless succession of toponyms (Palm Springs, Melrose etc.) and cultural clichés (trendy places, music or clothing) which all seem to trap people and places within an imprisoning landscape—most aptly metaphorized by the Sunset Boulevard.Both huge and confined to the specific landmarks or "non-places" of an interlope society, this landscape provides an ambivalent area in which people are cast adrift, wandering like ghosts in some kind of existential nowhere described by Michel de Certeau as "un théâtre de passants".
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spelling doaj-art-caa926664e664853a7db294c3efaa5bb2025-01-30T12:34:26ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662006-06-011910711610.4000/caliban.2407Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton EllisNathalie Vincent-ArnaudPublished in 1994, The Informers is a collection of thirteen short stories which aim to explore the various facets of a certain Los Angeles social microcosm in the nineteen-eighties.The first-person narration, based on a deliberately minimalist paratactic structure which involves recurrent snatches of dialogue, moves through an endless succession of toponyms (Palm Springs, Melrose etc.) and cultural clichés (trendy places, music or clothing) which all seem to trap people and places within an imprisoning landscape—most aptly metaphorized by the Sunset Boulevard.Both huge and confined to the specific landmarks or "non-places" of an interlope society, this landscape provides an ambivalent area in which people are cast adrift, wandering like ghosts in some kind of existential nowhere described by Michel de Certeau as "un théâtre de passants".https://journals.openedition.org/acs/2407territorialitéLos Angeleserrancedéambulationnon-lieuxextranéité
spellingShingle Nathalie Vincent-Arnaud
Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
Anglophonia
territorialité
Los Angeles
errance
déambulation
non-lieux
extranéité
title Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
title_full Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
title_fullStr Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
title_full_unstemmed Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
title_short Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis
title_sort cartographie du vide les non lieux de l espace americain dans the informers de bret easton ellis
topic territorialité
Los Angeles
errance
déambulation
non-lieux
extranéité
url https://journals.openedition.org/acs/2407
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