An Outsider’s Eye: The Art of Designing for Theatre

Part memoir, part theatre history, in this illustrated essay Joe Vaněk invites us to an inside-view on the design process.  Choosing key performances of European plays (Brecht, Ibsen) adapted by Irish writers, Vaněk takes us through the thought processes and work practices that bring a play from pa...

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Main Author: Joe Van?k
Format: Article
Language:English
Published: European Federation of Associations and Centres of Irish Studies 2021-06-01
Series:Review of Irish Studies in Europe
Online Access:https://www.imageandnarrative.be/index.php/rise/article/view/2652
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author Joe Van?k
author_facet Joe Van?k
author_sort Joe Van?k
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description Part memoir, part theatre history, in this illustrated essay Joe Vaněk invites us to an inside-view on the design process.  Choosing key performances of European plays (Brecht, Ibsen) adapted by Irish writers, Vaněk takes us through the thought processes and work practices that bring a play from page to stage, with descriptions and photographs to illustrate his design choices and thinking. Additionally, he offers us insights into working with Irish playwrights who examine Ireland’s relationship to Europe, for example in his designs for Frank McGuinness’s Innocence: The life of Caravaggio, and the work of Brian Friel and Hugo Hamilton. Vaněk traces his own influences, from the theatre work of the Czech designer Josef Svoboda to painters, architecture, and landscape. His reflections reveal the complexity of the role of the designer and the intricate workings of theatre practice Keywords: Theatre design, costume design, Irish playwrights, Brian Friel, Frank McGuinness, Hugo Hamilton, Gate Theatre
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series Review of Irish Studies in Europe
spelling doaj-art-c8a5447e77a24cee9f4e5df620d942e02025-08-20T03:24:33ZengEuropean Federation of Associations and Centres of Irish StudiesReview of Irish Studies in Europe2398-76852021-06-0141An Outsider’s Eye: The Art of Designing for TheatreJoe Van?k0Designer and Director Part memoir, part theatre history, in this illustrated essay Joe Vaněk invites us to an inside-view on the design process.  Choosing key performances of European plays (Brecht, Ibsen) adapted by Irish writers, Vaněk takes us through the thought processes and work practices that bring a play from page to stage, with descriptions and photographs to illustrate his design choices and thinking. Additionally, he offers us insights into working with Irish playwrights who examine Ireland’s relationship to Europe, for example in his designs for Frank McGuinness’s Innocence: The life of Caravaggio, and the work of Brian Friel and Hugo Hamilton. Vaněk traces his own influences, from the theatre work of the Czech designer Josef Svoboda to painters, architecture, and landscape. His reflections reveal the complexity of the role of the designer and the intricate workings of theatre practice Keywords: Theatre design, costume design, Irish playwrights, Brian Friel, Frank McGuinness, Hugo Hamilton, Gate Theatre https://www.imageandnarrative.be/index.php/rise/article/view/2652
spellingShingle Joe Van?k
An Outsider’s Eye: The Art of Designing for Theatre
Review of Irish Studies in Europe
title An Outsider’s Eye: The Art of Designing for Theatre
title_full An Outsider’s Eye: The Art of Designing for Theatre
title_fullStr An Outsider’s Eye: The Art of Designing for Theatre
title_full_unstemmed An Outsider’s Eye: The Art of Designing for Theatre
title_short An Outsider’s Eye: The Art of Designing for Theatre
title_sort outsider s eye the art of designing for theatre
url https://www.imageandnarrative.be/index.php/rise/article/view/2652
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